Luther The Geek is a late 80’s mix of slasher and low-key dark humour, with a rewarding mix of tense stalk 'n' slash atmosphere, red spurting gore, and creepy derangement. The film's title character is a great/ unsettling killer, with his metal dentures, balding/wild-eyed redneck look, and penchant for ripping into the necks of both humans and chickens alike. Here from Troma is a Blu-ray release of the film, which has a fair selection of extras, though I believe these are all ported over from previous releases of the picture.

From the late  80’s, Stripped To Kill is a mix of erotic thriller and drama with touches of slasher/giallo.  The film is largely set in & around a pole dancing club, where dancers are being killed off. It’s down to a blond/ big hair-sprayed cop to go undercover to see if she can solve whose behind the murders. It features a fair bit of topless nudity, a few murders/ gore, and a fair bit of 80’s camp.  Here from 88 Films Slasher Classics series is a Blu-ray release of the film. It takes in a new HD print, four commentary tracks- two new, two archive, and a selection of other new/ old extras.

Horizons is a collaboration between two artists with whom I have no prior familiarity, Austin Williamson and Blanket Swimming, both from Kansas City, Missouri, with numerous releases on Bandcamp and many small experimental labels.  This album consists of two longer pieces, 15-20 minutes each, alternated with a couple of shorter tracks, though the actual listening experience feels quite continuous.

Here’s an expansive history lesson in Polish animation, released by the ever-reliable Radiance; I’m reviewing promotional discs only, but the full package comes with a booklet of writings, and I guarantee there’ll be the immaculate presentation that Radiance always delivers. As the title suggests, the two discs collect up short animated Polish films, and the set covers a large time span and a large range of content. For those of you who take an interest in animation, this is all gold dust.

Eternal Life No End is a truly inspired sonic collusion between traditional Arabic instrumentation/ melody, and moody electronica. With traditional instrumentation and vocal chants moving alongside buzzing, juddering, and brooding electronics.

Afterlife Requiem is the second album from this post-classical dark drone project from Winnipeg, Manitoba.  It’s a nine-track affair, which moves between lush yet mournful drifts. Murky-edged mournful simmers, and gloomily sweeping expanses darted by the odd bleak sample.