Here’s a terminally raw, grimly worn, at points searing ‘n’ drilling wall noise split. It brings together Frances Pit Of Despair and Illinois Woods Mattress- each party offers up around half an hour wall. The first is fairly fixed, while the second is mostly fixed, though later on, we do get some rewarding deviation.

Color Noise Wall brings together three around ten-minute walls from this Czech project. As its title suggests, there is textual variety between each track.

Equal parts ethnographic research and percussive exploration, Simon Berz‘s Tectonic is proof of an enduring intelligence within sound and its contexts and histories as marshalled by an accomplished musician and researcher.

Parallel Disalignment sits somewhere between more polished/pristine harsh noise and dartingly seared electro-acoustics. It’s the second release from this project, which is the solo venture of Malaysian electronic artist, Y’ng-Yin Siew (Reverse Image).

The Battlefield Is Everywhere is a very difficult album to pigeonhole, as it not only often switches between sonically ambient, noisy, and dense. It also liberally blends 'n' blurs genres such as synth drone, prog/ post-rock, shoegaze, noise, and dense/droned-out singer-songwriter fare.

Here we have the first release in quite some time from this Scottish droning  & baying guitar-based project. Quakes is a CDR release- featuring seven tracks over its two-disc run. There is a decent shift in both tone and feel from track-to-track.