Search for   wildcard searchword search With search mode ANDOR in allband specialsreviewsarticlesmp3 section(s) And sort the results by BandnameAlbumtitle/Articletitle/SongDate show articles written by All authorsNiels van Rongen Andreas Oelke Sander Hordijk Jacob Avlund Justin Faase Aldo Quispel Dan Felch François Monti Jeff Jacobus David Bauwens Roger Batty Patrick Toepoel John Pusieski Duncan Simpson Erwin Michelfelder N.S. Endebo Nicholas Szczepanik Delirious Insomniac manuel pereira Russell Cuzner Sven Klippel Serdar Yegulalp Josh Landry Lawrence J. Patti David Bourgoin Viktorya Kaufholz Andy Ortmann Various Justin Marc Lloyd Martin P James DC Todd Robinson Nicola Vinciguerra Bill Too Ross Baker Richard T Williams Paul Casey Hal Harmon Dave Biddulph Michael Cunningham Jean-Paul Garnier Tyler L. Julien Skrobek Cory Strand Adam Skyes Darren Charles James Shearman Sergey Pakhomov Johan Strömvall Hammarstedt Lob Instagon Jennifer Wallis Jan Warnke Damien De Coene A. Cooley Manuel Armida-Honner Julien Skrobek Karl Grümpe Colin Lang Alex McLean Cavan Gilbey Sarah Gregory Jac Silver Casper van der Veen Joanne West William Burns    Review archive:  # a b c d e f g h i j k l m n o p q r s t u v w x y z  Jóhann Jóhannsson - Virðulegu Forsetar [Touch - 2004] Englabörn proves that point." /> The 20th century composer Edgard Varèse stated he liked brass because they are ‘full of sun’. Jóhannsson’s followup to his rather sad solo-debut Englabörn proves that point. Englabörn was melancholic and sad and revolved around one theme played by a stringquartet augmented by (mostly subtle) electronics. Virðulegu Forsetar is even more minimal themewise: played by a brasssection primarily, with little piano and glockenspiel. There are only very small alterations the melodic motif during the four pieces that comprise Virðulegu Forsetar. The electronics are more droney but again subtle. The mood is more ‘up’, although the pace is slow and stately. The piece has been performed in a church, with the 'lighting effects' of a sun going down and blue balloons hanging on the ceiling with just enough helium to start falling down during the performance and settle inbetween the audience. I can imagine this was a great experience, which hopefully makes it to these shores some time. The CD comes with a DVD that features a stereo and a surround 5.1 mix. I can’t play the surround mix, but the stereo version from DVD is, as one would expect given the higher resolution, much more ‘open’. I’m not an audiophile, but it really adds to the feeling of the music. It gives a spatious effect that enhances the experience and it connects really well to visions of Icelandic scenery. Virðulegu Forsetar is one of those records to make time for: sit down and immerse yourself in the soothing sounds of brass and drones. Jóhann Jóhannsson - Virðulegu ... The 20th century composer Edgard Varèse stated he liked brass because they are ‘full of sun’. Jóhannsson’s followup to his rather sad solo-debut Engl... 080226   400 Lonely Things - Creature ... 060226   PBK & Howard Stelze - She Thi... 060226   Wilt - Mold The Earth 060226   Andreas Rönnquist - The Fou... 060226   Vampire Zombies…from Space ... 060226   This Is What I Hear When You ... 060226   Niacinamide - The Eyes Of Ages 060226   Aberdeen Abattoir - Only Pain... 050226   Crash And Burn - Crash And Bu... 050226   Visitors from the Arkana Gala... Crude ‘n’ Hope-corroding Wall... Back in 2024, I got my first taste of Absurd Reality, and I was so impressed by how crude and nasty its take on walled noise was. Behind the project is South... 290126   Crude ‘n’ Hope-corroding ... 231225   Creepy Images Books - Killer Art 221225   Best Of 2025 - Music, Sound &... 041225   The Spectral Sounds of The Pr... 281025   Michael Hurst Interview - Unb... 071025   Xiphos - The Rise And Fall Of... 030925   Third Window Films - A Label ... 130825   HNW fest- Barcelona- 12th Apr... 250725   Raté interview - Walled-in F... 180625   Matthew Holmes - Of razor-sha...

(c) Musique Machine 2001 -2025. Twenty four years of true independence!! Mail Us at questions=at=musiquemachine=dot=com