As with all Altar of waste releases this comes in a see-through DVD case. The cover artwork features a dense & repetitive picture of a pine forest, and in the centre of the front cover is an old black & white picture of two 18 century looking men pulling a carriage with a threatening looking women in the back. The reverse cover features an inversed picture of what looks a grim & abounded prison bunk room.

The single self titled track with-in comes in at the 17.08, and it finds Vomir building a very dense wall of unrelenting noise.  The ‘wall’  is built around a mid paced rumbling crusty judder, which has muffled/ locked jittering ‘n’ bubbling noise texture coming out of it. The track is locked down into a continual grim, grey & sludgy churn which seems to engulf everything thing around you in a dank/ hopeless haze. Unlike some  of Vomir work  this  track didn’t really feel like there’s was any feeling of (false) movement here- it  just feels like a unrelenting grey/ thick locked churn.

To sum visually this is another nice ‘n’ grim looking release from Altar of waste, and sonically  it’s another extremely brutal &  inescapable bit of walled noise from the black bag wear Frenchman- it’s not one of the most memorable of  Vomir’s releases, but it certainly makes up for it in purely unforgiving brutality.