The Cdr comes in a fairly plain/ sparse black ‘n’ white paper sleeve. It features on the front a line drawn & filled in shape that’s a cross between a triangle & square, & on the back there's vomir’s name, blog link & a boxed shape. I’m not sure how the four cdr set differs in artwork, as I’ve not seen them , but this artwork is effective if a little underwhelming.

So onto the ‘walls’ with-in, the four untitled tracks on offer here last between nineteen mintues & thirty secounds, and nineteen minute & fifty three seconds.  The first track is built around a mixture of churning, rumbling & drilling noise  textures with a nasty ‘n’ persistent  static judder ‘n’ tear on the top- I guess it brings to mind a vast drilling machine boring into a mass of discoloured & sewage filled ice.   The second track is more a mixture of billow  & roaring tonalities- I guess this sounds like trying to walk down a huge  grim & rubbish filled tunnel in a gale.  Track three is all about crude juddering & jittering textures that are underfed by a blunt ‘n’ battering bass drone-  this track feels like been stuck inside a huge black exhaust blenching engine that’s jugging along in first gear down a bleak & unchanging dead landscape. Track four is built around a raging ‘n’ feasting web of static noise that has buried under it this expansive yet grey drone sustain- it feels like your endless falling and droping though a mass of grey cloud, and from time to time you see the barren and wasted earth below, but it never gets any closer & you seemingly never stop falling.

All told  this release offers up a good selection of four mid lengthy ‘wall’s from Vomir- each is a rewarding , nasty &  battering in it’s own right. Certainly an Vomir release worth picking-up.