The title of this release is credited to "come from a conversation with a Drexiyan". Drexiciyans, as legend has it, are an underwater species of partly human inhabitants, and From the Deep End has a submerged, yet mysterious quality to it. There are voices present, which sound as though they are amplified by water, being an efficient means of tranferring sound. Yet they are manipulated, puportedly to represent an imaginary Drexiyan language. It's a trick which could be tacky, or at the very least gimmicky in the wrong hands, but Duke makes these alien sounds believable.

The overriding theme seems to rear it's head now and then, but these two long discs don't seem to be entirely bound by the concept. The music spans everything from experimental techno, to drone, and, perhaps most surprisingly, to post-rock instrumentation. Duke's music exudes confidence, and these pieces have the sound of music created with great care, and a surgeon's precision. Technical Perfection in music can be tedious, but in this case, Duke's production skills and musical ability only bring his work into sharper relief. His enthusiasm for sound design is very evident, because the two discs have a cinematic quality. A great release from an under-appreciated artist, and yet another triumph for the impressive afe label.