Top Bar
Musique Machine Logo Home ButtonReviews ButtonArticles ButtonBand Specials ButtonAbout Us Button
SearchGo Down
Search for  
With search mode in section(s)
And sort the results by
show articles written by  
 Review archive:  # a b c d e f g h i j k l m n o p q r s t u v w x y z

Pharaoh Overlord - #3 [Riot Season - 2005]

Few acts of today love repetition as much as Pharaoh Overlord. It’s like the band had been brought together to form a new cult to the God “Moreiwantmoreofthesameriff” (Mesopotamian divinity).

People I like already know Circle, at least by name. These lads have been the best finnish band for the last ten years, playing their own brand of very peculiar kraut / psyche / prog / folk rock. Well, the guys of Pharaoh Overlord are all members of Circle, so you should know in what category they fall (the one tagged “unique”).

PO has already three studio albums to his name, as well as a live recording. The first two albums were stunning pieces of music, heavy and monolithic, Tsurubami without feedback and with less free jazzy bits, or Acid Mothers Temple without the weird instruments and the insane solos.

#3, released on Britain’s Riot Season (a great label releasing few cd’s, all essentials), is a bit of a change. Not radical, but still. For a start, it’s almost never heavy in the traditional Sabbath sense. Most of it sounds like Circle’s Guillotine "rockier" parts without the otherworldish vocals and the keys.

Other than above’s obvious comparison, it’s interesting to notice that here and there creep in moments strongly reminding me of Robert Fripp on King Crimson’s latest albums (first half of Blackout for instance). Of course I’m also bound to mention krautrock, especially Ash Ra Tempel.

Beyond all the references, all the things you hear and you know “from some other record” in their music, one thing remains true: Pharaoh Overlord is band of sound alchemists. Perhaps not as good as when they are Circle, but still. Seldom have I heard something as stubbornly repetitive yet varied, something so fascinating and hypnotic.

Extra kudos for Journey, the last track, which makes of this record a beautiful one, on top of all the other good things already written about it.

Rating: 5 out of 5Rating: 5 out of 5Rating: 5 out of 5Rating: 5 out of 5Rating: 5 out of 5

François Monti
Latest Reviews

Pharaoh Overlord - #3
Few acts of today love repetition as much as Pharaoh Overlord. It’s like the band had been brought together to form a new cult to the God “Moreiwant...
110226   Llyn Y Cwn - Megaliths In Dub
110226   V/H/S/Halloween - V/H/S/Hallo...
100226   Necrotik Fissure - Atrophy
100226   Vacant Algin - 2626
080226   400 Lonely Things - Creature ...
060226   PBK & Howard Stelze - She Thi...
060226   Wilt - Mold The Earth
060226   Andreas Rönnquist - The Fou...
060226   Vampire Zombies…from Space ...
060226   This Is What I Hear When You ...
Latest Articles

Crude ‘n’ Hope-corroding Wall...
Back in 2024, I got my first taste of Absurd Reality, and I was so impressed by how crude and nasty its take on walled noise was. Behind the project is South...
290126   Crude ‘n’ Hope-corroding ...
231225   Creepy Images Books - Killer Art
221225   Best Of 2025 - Music, Sound &...
041225   The Spectral Sounds of The Pr...
281025   Michael Hurst Interview - Unb...
071025   Xiphos - The Rise And Fall Of...
030925   Third Window Films - A Label ...
130825   HNW fest- Barcelona- 12th Apr...
250725   Raté interview - Walled-in F...
180625   Matthew Holmes - Of razor-sha...
Go Up
(c) Musique Machine 2001 -2025. Twenty four years of true independence!! Mail Us at questions=at=musiquemachine=dot=comBottom