The album features five pieces of sumptuously beautiful, relaxing, ambient electronica that ooze class from the first note. Album opener "All Things in Place (Get Me There)" is an ethereal masterclass of dispersed piano tones and minimalism. Effortlessly simple, yet perfectly crafted. "Not Far Away, Further" is up next, opening to the Avant Garde strains of Aisling O’Dea and Julia Lungu’s violin playing, the track soon settles into more ambient keyboard lines and synth atmospherics, the later inclusion of Neil Cuthbertson’s trumpet and the re-emergence of the violins gives the track a different feel altogether. "The Favour" opens with some beautiful soaring arpeggiated synth lines that form the backbone of the song. This one has a nice upbeat vibe that sets it apart stylistically, from the rest of the album. This is followed by "Gratefully Indifferent", a straightforward atmospheric drone piece that wouldn’t sound out of place on a Radiophonic Workshop soundtrack. The final track is probably my favourite, the atmospheric and at times creepy, "A Liminal Moment" is filled with wonder and a sense of Folk horror otherworldliness that I simply adore.

Overall, the album is a masterclass in ambient electronics, at times beautiful and at others creepy, but always dripping in atmosphere. The tracks range in length from just over five minutes to almost ten minutes and never feel overlong, they don’t outstay their welcome and continue to wash over you in an extremely pleasant way. This is a great reminder of why I love ambient music.