The 2018 two-part piece was written by Australian composer and double bass player Jon Heilbron; & he also plays on the piece along with Håkon Thelin on Double bass, and Helga Myhr & Rasmus Kjorstad both on Hardanger fiddles. The first part runs nearing the thirty-minute mark, and the second around twenty minutes with a total runtime of fifty minutes for the whole CD.

Both tracks have a wonderful vacillate quality- as the four players aptly slide, swift and at times grind against each other. We move from extremely thick 'n' deep brooding-ness, which hovers with vulture like neck swoops & wails. Onto rising almost harmonic ambient simmers that move with touches of growing hope & wonder, through to slurred angular shifts & ebbs- which feel neither hopeful or damned- falling somewhere between indifference & mild displeasure. At moments things thin back to just darting,  almost rhythmic & eerier neck play, or slow dying grates of tone. With both of the pieces having a good feeling of unpredictability and flowing compositions.

Puma Court is both eventful and emotional varied work- highlighting the four players effective sonic chemistry, and Heibron flare as an unpredictable-yet moody composer- I’ll certainly be curious to hear more work from him- and this is another great release on Another Timbre, who really do continue to put out some of the best and creative modern composition around.