The release comes in either cassette or digital download- we sadly only got the digital review copy, so I can’t really comment on the tape. In all the release takes sixteen tracks and these each run between three & four minutes apiece. The tape had an edition of fifty copies, and according to Sussman's Bandcamp, there are still copies left.

The release opens with "Complacently Sprightliest (Rb. 851)"- this is best described as soured muzak, with a slightly medieval feel to it- as two or three layers of rapidly darting & jaunting melody are fed together with tight percussion brushers- all to create a discordant rushing structure. The next few tracks really follow the seemingly discordant & messy flow, It’s not until track five we get something wholly worthy in the form of "Piratical Editorial (Rb. 881)"- which sees slowly slurring & pitch shifting vibe like choppiness- all sounding like some melted fair ground monster made from many smaller rides & slot machine. Another worthy moment is off-color electro jig meets wonky techno stab of "Uselessness Warble (Rb. 738)".  Or the final track "Slangiest Colonialist (Rb. 815)"- which sounds like a blend of sped-up electro-country music & manic stabbing vibe brightness. The problem is even these track feel too overloaded & busy for there own good, with the genre traits they are trying to mimic or recreate, just lost in the collisions of different layers of stuff.

So, in conclusion, I certainly still enjoy the sound & possibilities created by the Rosenberg Algorithmic, and there are few effective, balanced, and slight more focused tracks here- the issue is the other stuff which sadly often comes out as a manic pile-up of electro textures, that gives little entertainment or appeal- if you liked the first Vol you may enjoy some of what’s here, but if your new to Sussman I’d start on the first vol, as it’s a lot more consistent.