The tape features two tracks on its first side, then on the second side we have just a single track. So side A’s two tracks come in the form of "Floating Like A Ghost", and "These Lights Are The Doors". Each of these tracks are truly punishing excises is cold & crushing wall- nihilism. The first track is built around an oppressive & brutally smootherd blend of huge bass rumbling, & thinner ‘n’ slightly crisper jitterings/ shakings. The second track consists of a rapid, tight & stuck low-end judder, which is surrounded by a thinner mass of feasting static grain.  These first sides tracks are  splendid examples of extremely barren ‘n’  brutal slices of no- nonsense ‘wall-craft’, and they perfectly fit the releases title.

Over on side two we have just the single track, and this is entitled  “Like Reflected In A Magic Mirror”. And I guess you’d say this track is in more of a taut drone meets HNW setting. It’s built around a continually chiming & churning mid-range tone(which sounds like a stuck guitar note), and this is warped in a bubbling & muddy crackle. The central tone has quite a seared yet stuck harmonic feel to it, and this sort of slightly fluctuates in the muddy crackle.  The track is ok as a drone/wall crossbreds go, but to my ears it just seems a bit too bright & (almost) buoyantly churning compared to the first side’s barren intenisty.

So in conclusion I found that the first two tracks were entrancing slices of wall- noise nastiness, and I really could have listened to them for twice their running time. The third track is ok, for what it was, but I just felt it didn’t link into  the numbing sonic nihilism of the first two tracks & the releases title.