Top Bar
Musique Machine Logo Home ButtonReviews ButtonArticles ButtonBand Specials ButtonAbout Us Button
SearchGo Down
Search for  
With search mode in section(s)
And sort the results by
show articles written by  
 Review archive:  # a b c d e f g h i j k l m n o p q r s t u v w x y z

Achterontas - Ma Ion (Formulas of Reptilian Unification) [W.T.C - 2015]

I’m really starting to get sick of occult, riffless black metal that seems to be in vogue: bands that would rather spend a quarter of their album chanting, playing little ritualistic drum beats, and looping dark ambient tracks than laying down the metal law and bringing the riffs. What’s even more puzzling is that these bands are ostensibly worshipping Satan. Everyone knows that Satan is more pleased by neckwrecking riffs than incense and occult triangles; someone needs to let these guys know that they’re screwing up. Achterontas is a Greek band playing in the aforementioned style, preferring to let their general occultness and nonmetal portions of their music do the Satan worshipping for them, while the neglected metal potions languish by the wayside.

Newsflash: Nobody actually cares about your philosophy 101–styled musings, Acherontas. Fuck off with your Aleister Crowley bullshit. Even NSBM bands using out of context Nietzsche quotes are less odiously mind-numbing. We listen to metal for riffs – start writing some.

It really is quite puzzling why some bands fail to grasp this, the simplest of metal’s principles. I mentioned bands that use a quarter of their album to highlight how occult they are. Acherontas uses a full 45 minutes on Ma Ion (Formulas of Reptilian Unification). We get it motherfuckers! We could tell what you were all about from your album cover and song titles; no need to bash us over the head with it. The head-bashing continues for an egregious 70 minutes. Even the parts where they work black metal into the mix are half-assed, with rhythm guitars toiling away fruitlessly while limp-wristed, occult-flavored leads echo around. The clean tone of the lead guitars evokes a convincing ancient Egyptian atmosphere at times, but most of the time they are just nonriffs or simple scales played in minor key.

Another of the albums faults is the drumming. It somehow manages to be both horribly unimaginative and overactive, bouncing between the two styles. Much of the album is made up of pointless segments of chanting or readings while Gionata Potenti patters away with stock ritualistic drum beats. Evidently he thought these parts were boring too, as whenever the band remembers it’s supposed to be playing black metal, he is seized by a feverish desire to hit every part of his kit at the same time. He pounds out a fill every five seconds, manically bashing away at his toms and cymbals until they are nothing more than a smoking pile of rubble. The hyperactive drumming makes it difficult to concentrate on the rest of the band, but there’s not much to miss in the first place.

Nikolaos Panagopoulos’s vocals are possible the sole bright spot of the album. While there isn’t much variation in the vocal stylings, his heavily accented, gruff shouts are quite commanding, drawing your attention from everything else.

While this album is really boring, I can’t say I was disappointed. These types of releases are a dime a dozen on labels like WTC and DWP; once you’ve heard one, you’ve heard them all. Ma Ion (Formulas of Reptilian Unification) is slightly different, if only by virtue of being unusually long, but this is hardly an asset. There are no distinguishing features on this album to set it apart from the numerous other black metal bands who have jumped on the occult bandwagon. Give this album a pass.

Rating: 1 out of 5Rating: 1 out of 5Rating: 1 out of 5Rating: 1 out of 5Rating: 1 out of 5

Tyler L.
Latest Reviews

Achterontas - Ma Ion (Formulas of...
I’m really starting to get sick of occult, riffless black metal that seems to be in vogue: bands that would rather spend a quarter of their album chanting,...
060725   RDKPL - Herr Pes Trinch
050725   Stinking Lizaveta - Hopeless...
030725   Yann Novak - Continuity
030725   Tourist Trap - Tourist Trap( ...
030725   Palindromes - Palindromes( Bl...
020725   Noise Trail Immersion - Tutt...
010725   Atomic Rooster - Atomic Roos...
010725   Con Funk Shun - Organized
010725   Various Artists - Heatwave- T...
010725   The Good, The Bad, The Weird ...
Latest Articles

Matthew Holmes - Of razor-sharp t...
It’s fair to say the Sharksploitation genre is often tried, tested, and to be honest, tired. Fear Below is a 2025 Australian film that tries to do some...
180625   Matthew Holmes - Of razor-sha...
280525   The Residents - Visits From T...
090525   Ennaytch - Of walls, abused ...
150425   Dead, Dead Swans interview - ...
110325   Sebastian Tomb - Walls of unb...
040225   Alien Sex Fiend - Possessed B...
231224   Best Of 2024 - Music, Sound &...
191224   Splintered - Somewhere Betwee...
031224   Shane Ryan-Reid - Coerced and...
221024   Whore’s Breath - life’s h...
Go Up
(c) Musique Machine 2001 -2025. Twenty four years of true independence!! Mail Us at questions=at=musiquemachine=dot=comBottom