...And a haunting dread is found in the rough grooves of the lathe-cut too. (As with most lathe-cuts, the fidelity isn't perfect; but it's entirely acceptable - though I have also made use of the Lighten Up Sounds Bandcamp for the purposes of this review.) Both sides have an atmosphere of creeping horror, but one achieved without obvious gestures. Instead of overloaded noise saturation, we have eerie passages of drone and scrape. This is not to suggest any politeness or frailty, however - the very visceral start of side B sounds like someone shovelling up broken bones. Indeed, the prevalent use of unprocessed and "junk" sounds gives the release much character and timbral quality. For the first side, shrill metal abuse provides those textures; whilst on the reverse, a violin takes on that role. Underpinning these foregrounded details, are low drones, distorted organs, ghost- or wind-like moans and crumbling bass textures. Each side patiently deploys these elements to construct similar pieces in terms of form and colour. No massive dynamics or jolts, just carefully paced sections which develop from one another; though side A has a small crescendo and drop. For all the talk of textural qualities, one of the most striking passages of the release is the introduction of discordant violin stabs on side B. These staccato scrapes are overtly "musical" and add immense colour.
 
This lathe 7" is, in fact, already sold out; but the tracks are available on the Lighten Up Sounds Bandcamp (as mentioned above). Those with an interest in crafted sound - "noises", rather than "noise" -  will find much to occupy them here; indeed, I think I'm right in saying that the release is a taster for a forthcoming full-length from Men Of Science - certainly something that you would do well to keep an eye out for.