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 Review archive:  # a b c d e f g h i j k l m n o p q r s t u v w x y z

Justin Bennett - Noise Map(Cd & Book) [Spore Records, Stroom HCBK - 2007]

ďOne personís noise being anotherís sweet musicĒ is a quote from the companion book to Justin Bennettís Noise Map album which is a great description of any type of noise and ones levels of enjoyment of said sound(s). Really anything and everything can be either noise or music and thatís whatís investigated in much of Mr Bennettís work Ėitís really up to you were the line is drawn.

After hearing his fabulous recent work wildlife which utilized the sound of zooís, botanical gardens along with more subtle touches traditional musically forms  I decided to investigate father in this highly creative sound artists work. Noise Map the album was recorded in 2003 with the companion book coming out last year. The album seems to be built from various field recordings sourced from  one or many cities around the world and going from soothing and textured ,right up to all out noise attacks, this is a lot less ďmusicallyĒ in a traditional sense than Wildlife, as thereís less use of Conventional or distinct instrumental sounds. 

Bennett users all manner of cleverly arranged sound matter from; bee buzzing, crickets, traffic sounds( thereís a great  large truck vibration tone he circles a few times at the start  of the album), static, street sound or chatter, weather noise ect. He either lets  the tracks drift in a arranged yet  organic sounding way, or build up dense walls of different textures and depth of sound. At some points reaching boil point like on the album centre piece and title track which he builds up one tensioned wave of noise matter after another like a strange dream of city destruction that keeps been rewound and let build up to destruction again and again. Itís difficult to figure exactly what heís using at the more manic high moments but it could well be a mix of static and amped up downpours. The whole album really picks out the harmonic, musically, rhythmic possibility of city scapes, but never makes it self too obvious in itís attempts- sounds will be subtle repeated, let drone or there rhythmic or harmonic tendencies slyly picked out but it never gets too heavy handed

The is a book is well made and stitched 150 plus page paper back with a stiff cover. The book features drawings and plans for recording and creating pieces, other Drawings, texts, photographs and  essays on noise, Musique Concrete, field recording, the correspondences between music and architecture and between sound and image. which are all presented in highly readable and down to earth manner, with Bennett's tone never getting too arty or pretentious.  The book features a few colour and tracing paper like pagers but is mostly in black and white. Itís makes interesting dip in and out of companion to both Noise Map and Bennettís work in general as he covers works not on the disk.

Iíll have to admit the Noise map album didnít grab me in the same way wildlife did, but thereís still really sonic artistries on display here, with the album offering up some hypnotic and captivating moments along the way. The book on the other hand was very intresting in seeing how he plans, commits his work. With the selected essays been rewarding, well written and  highly approachable. But both items are really worth of your time if you have any interest in sound art or for that matter noise with a more field recording base- just donít expect it to be too fiery and noisy as the projects name might suggest.

Rating: 3 out of 5Rating: 3 out of 5Rating: 3 out of 5Rating: 3 out of 5Rating: 3 out of 5

Roger Batty
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