Search for   wildcard searchword search With search mode ANDOR in allband specialsreviewsarticlesmp3 section(s) And sort the results by BandnameAlbumtitle/Articletitle/SongDate show articles written by All authors Niels van Rongen Andreas Oelke Sander Hordijk Jacob Avlund Justin Faase Aldo Quispel Dan Felch François Monti Jeff Jacobus David Bauwens Roger Batty Patrick Toepoel John Pusieski Duncan Simpson Erwin Michelfelder N.S. Endebo Nicholas Szczepanik Delirious Insomniac manuel pereira Russell Cuzner Sven Klippel Serdar Yegulalp Josh Landry Lawrence J. Patti David Bourgoin Viktorya Kaufholz Andy Ortmann Various Justin Marc Lloyd Martin P James DC Todd Robinson Nicola Vinciguerra Bill Too Ross Baker Richard T Williams Paul Casey Hal Harmon Dave Biddulph Michael Cunningham Jean-Paul Garnier Tyler L. Julien Skrobek Cory Strand Adam Skyes Darren Charles James Shearman Sergey Pakhomov Johan Strömvall Hammarstedt Lob Instagon Jennifer Wallis Jan Warnke Damien De Coene A. Cooley Manuel Armida-Honner Julien Skrobek Karl Grümpe Colin Lang Alex McLean Cavan Gilbey Sarah Gregory    Review archive:  # a b c d e f g h i j k l m n o p q r s t u v w x y z  Toshiji Mikawa - Gyo-Kai Elegy [Anoema Recordings - 2007] The simple but elegant artwork is little preparation for the hell that breaks loose on Gyo-Kai Elegy. The knowledge that Mikawa is the founder of brutal noiselegends Incapacitants all the more. That said, we're talking about only half of that duo, which is audible too, on this first CD-release under his own name. The seething electronic mayhem is a little more transparent and most of the time not as dense as the work I heard from the duo. Playing their album As Loud As Possible it even seems clear which part comes from Mikawa which is isolated on the first track of Gyo-Kai Elegy. Intense hailstorms of squeaky electrons underneath which a dark ambience simmers. Sometimes, like in Drinking Gallons of Soy Sauce with Beer the 'pace' goes down slightly for something slower and creepier. Towards the end of the album more punishing shrillness enters the arena. Even though it's pretty much 55 minutes of pummeling noise, Toshiji Mikawa does show a little more mercy than in a duo assault, allowing a little more air into his violent soundscapes. The thing that remains the same is the quality of it, which is just as high. Toshiji Mikawa - Gyo-Kai Elegy The simple but elegant artwork is little preparation for the hell that breaks loose on Gyo-Kai Elegy. The knowledge that Mikawa is the founder of brutal nois... 200625   Dick Dynamite: 1944 - Dick D... 200625   Various Artists - Electric Ju... 190625   I Heart Willie - I Heart Will... 190625   Throbbing Gristle - Live at ... 190625   No Fun HNW/ Hana Haruna - Split 190625   The House of Witchcraft - Th... 190625   The Cathedral Of New Emotions... 180625   SELM - dehNUNG 170625   Butchwife - Chronic Nausea 170625   Raté - L7hN Matthew Holmes - Of razor-sharp t... It’s fair to say the Sharksploitation genre is often tried, tested, and to be honest, tired. Fear Below is a 2025 Australian film that tries to do some... 180625   Matthew Holmes - Of razor-sha... 280525   The Residents - Visits From T... 090525   Ennaytch - Of walls, abused ... 150425   Dead, Dead Swans interview - ... 110325   Sebastian Tomb - Walls of unb... 040225   Alien Sex Fiend - Possessed B... 231224   Best Of 2024 - Music, Sound &... 191224   Splintered - Somewhere Betwee... 031224   Shane Ryan-Reid - Coerced and... 221024   Whore’s Breath - life’s h...

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