Top Bar
Musique Machine Logo Home ButtonReviews ButtonArticles ButtonBand Specials ButtonAbout Us Button
SearchGo Down
Search for  
With search mode in section(s)
And sort the results by
show articles written by  
 Review archive:  # a b c d e f g h i j k l m n o p q r s t u v w x y z

Ferran Fages - Cançons per a un lent retard [Etude Records - 2007]

The new trend in electronic music seems to be going acoustic and sometimes even start writing 'real songs'. Ferran Fages, a Catalan musician whose resume mentions, besides guitar, no-input mixer and turntables in Cremaster also took this step. On A cavall entre dos cavalls and this album it's just guitar.

Although radical, the approach isn't completely different. The music on Cançons per a un lent retard is very much everything that happens besides the notes. When strumming the strings a microscope is put on the 'unwanted sounds', as it were. Just to reveal all the overtones, scrapes, harmonics, resonations and even a mild drone that happen in this process and are very much wanted here. Although the endresult shows some similarity with the work of Derek Bailey and Eugene Chadbourne I feel Fages' approach in the end is closer to Alva Noto and Ryoji Ikeda, albeit less rhythmic.

Fages' impulse to compose this music was the slow decay of his father's life. Not a posthumous tribute, as the album was finished for a month when his father passed away. The music follows this by taking its time, slowly and thoughtful. Various techniques are used to get all kinds of sounds from the guitar, but still within the conventional means of pick and sometimes a bottleneck, no extended Chadbourne techniques. Some parts do remind of John Zorn's tribute to "Pops", the infamous The Book Of Heads. Cançons... is easier to digest than that one though. With its heavy theme of his father's decline it's by no means 'easy', it's heavy with emotion.

The devil is in the detail as the saying goes, this album needs to be played on a decent soundsystem at loud enough a volume to reveal all the intricacies that are invoked from the metal- and woodwork of the acoustic guitar. The only critique would be the length, it's quite heavy to sit through the entire 70 minute course of it. At the same time it feels rather disrespectful to turn it off halfway through. Had Ferran cut a little fat here and there it would've been a quite stunning album.

Rating: 4 out of 5Rating: 4 out of 5Rating: 4 out of 5Rating: 4 out of 5Rating: 4 out of 5

Latest Reviews

Ferran Fages - Cançons per a un ...
The new trend in electronic music seems to be going acoustic and sometimes even start writing 'real songs'. Ferran Fages, a Catalan musician whose resume men...
270625   Murder Rock - Murder Rock( Bl...
270625   The Black Torment - The Blac...
250625   Girls Without Shame - Girls W...
250625   Xiphos - The Age Of Alexander
250625   Timothy Fairless - Keep Tal...
240625   CORR//PT│0N_UN1T - S7ATU5_...
240625   Golem - Golem( Blu Ray)
230625   Cryptopsy - An Insatiable Vi...
200625   Dick Dynamite: 1944 - Dick D...
200625   Various Artists - Electric Ju...
Latest Articles

Matthew Holmes - Of razor-sharp t...
It’s fair to say the Sharksploitation genre is often tried, tested, and to be honest, tired. Fear Below is a 2025 Australian film that tries to do some...
180625   Matthew Holmes - Of razor-sha...
280525   The Residents - Visits From T...
090525   Ennaytch - Of walls, abused ...
150425   Dead, Dead Swans interview - ...
110325   Sebastian Tomb - Walls of unb...
040225   Alien Sex Fiend - Possessed B...
231224   Best Of 2024 - Music, Sound &...
191224   Splintered - Somewhere Betwee...
031224   Shane Ryan-Reid - Coerced and...
221024   Whore’s Breath - life’s h...
Go Up
(c) Musique Machine 2001 -2025. Twenty four years of true independence!! Mail Us at questions=at=musiquemachine=dot=comBottom