The London-based trio, To Move, offers a new assortment of well-worn ideas, repackaged and reproduced for those with little background in the world of tape-warbled, piano-driven ambience. At least, this is my best guess as to the audience for whom their album is ultimately intended. Think of the hushed hammering of Nils Frahm's piano (he is a label mate on Sonic Pieces), washed over with tape degeneration a la William Basinski. 

I listened for anything that would point me in other directions, or at least introduce a mode of production in which somewhat new sonic terrain might have been explored, but, to no avail. This is likely a result of my own limitations as a listener, though I think others with a similar familiarity with this genre of music might feel the same. The fact of retracing certain steps within ambient composition is pretty much unavoidable, and it is not in and of itself an issue, at least not one that can rule out the merits of such a work. The album swells, lovingly, warmly, and even pops on "Bait" with an unexpected ebullience.