Top Bar
Musique Machine Logo Home ButtonReviews ButtonArticles ButtonBand Specials ButtonAbout Us Button
SearchGo Down
Search for  
With search mode in section(s)
And sort the results by
show articles written by  
 Review archive:  # a b c d e f g h i j k l m n o p q r s t u v w x y z

Go to the Miasma & The Carousel Of Headless Horses website  Miasma & The Carousel Of Headless Horses - Perils [Mimicry - 2005]

Myspace page lists even more bands they like." />
Angelo Badalamenti, Astor Piazzolla, Goblin, Art Bears, Burzum, Tom Waits, Antioch Arrow, King Crimson, Bach and Univers Zero are among their influences, claim Miasma & The Carousel Headless Horses from the UK. Their Myspace page lists even more bands they like.

Funny thing is, the first two bands that come to my mind listening to their debut Perils are Devil Doll and Estradasphere and those are not among the many artists mentioned. Over the 45 minutes of this CD we’re taken through through the perils of the alchemical stages. With instrumental music it can be rather tough to tell a story and ‘multi-genre’ seems the inevitable step.

We start our journey with the organ of the Blackening: Crows Templar to allude spiritual death. After a silence things slowly build into a bolero-like rhythm of The Mage, who takes us into the realms of the invisible. The quintet uses everything they can lay their hands on to convey atmospheres of black and white horror movies (The Optician), strange occult rituals (Asmodius Arise) and mysterious gypsy festivals (Gypsy Funeral…). It’s all well-done and pretty entertaining, but there’s no real danger here. With the closing Ourobouros: Phoenix Rising you simply don’t feel like you’ve made a perilous full circle at all.

I’m quite used to instrumental music, but I feel Miasma could use some vocals... or something. Maybe I’m just searching for what it is exactly that I miss in this musical picture. There’s enough variation as you might have gathered by now, but somehow it doesn’t seem to get off the ground. The elements are all there but it just refuses to become real gold anywhere.

Rating: 3 out of 5Rating: 3 out of 5Rating: 3 out of 5Rating: 3 out of 5Rating: 3 out of 5

Latest Reviews

Miasma & The Carousel Of Headless...
Angelo Badalamenti, Astor Piazzolla, Goblin, Art Bears, Burzum, Tom Waits, Antioch Arrow, King Crimson, Bach and Univers Zero are among their influences, cla...
061225   Split Apex - Thoughts in 3D
051225   Heretic - Breaking Point
051225   Abscess - Though The Cracks O...
051225   Koobaatoo Asparagus - Between...
041225   Whore’s Breath - Precipitat...
041225   Lord Cernunnos / doublepeace ...
041225   PINK WOOL - Nightsweater
041225   Dracula - Dracula(VOD)
041225   The Ominous Circle - Cloven ...
041225   A Hyena In The Safe - A Hyena...
Latest Articles

The Spectral Sounds of The Projec...
As music obsessives know, what makes a label fascinating is not just the sounds they release. The most intriguing labels offer a conceptual framework and con...
041225   The Spectral Sounds of The Pr...
281025   Michael Hurst Interview - Unb...
071025   Xiphos - The Rise And Fall Of...
030925   Third Window Films - A Label ...
130825   HNW fest- Barcelona- 12th Apr...
250725   Raté interview - Walled-in F...
180625   Matthew Holmes - Of razor-sha...
280525   The Residents - Visits From T...
090525   Ennaytch - Of walls, abused ...
150425   Dead, Dead Swans interview - ...
Go Up
(c) Musique Machine 2001 -2025. Twenty four years of true independence!! Mail Us at questions=at=musiquemachine=dot=comBottom