The tape begins with stereo split fizz, streaming through the speakers at quite a speed, without being savage. Both walls are crunchy, and there’s a drone buried within the layers too. After a few minutes, this all breaks down to reveal a hard, low rumble, before the fizzing textures burst back in again. After this, there’s a long passage where the two walls become unbalanced, unmatched, build in intensity, settle down to a crawl, then again explode into agitated fizz. This pattern is then explored. So, you can see that it’s not rigorously static wall noise, but at the same time it is indeed ruthlessly concentrated, rarely wandering too far from its starting point. Later, the wall cuts to almost plastic textures, before bursting into wet, crackling, life - which, after a short while, and a little jump, is decimated by a much stronger, harder wall. Again, it ploughs through both speakers separately, each side building or dropping slightly - even cutting out at points. It’s akin to a fast, fire crackling, with a blown out, dull wash lurking beneath. After paring back to a restrained blizzard texture, the side ends with a low, somewhat unappealing, noisy line, but it’s garnished with very nice pops.

Side B opens with a tortured, hard crawl, with the textures compressed, and squeezed. It presses in waves, it’s grubby and reverbed, and it’s very nice. After a while, more agitated, higher pitched chunks push through, into the reverb, until the whole wall breaks further open. The textures now become hollowed out, and faltering, almost vocalising - but still dirty.  A more sedate passage follows, dominated by the low, crawling crumble, but trailing light dirt behind it. After a brief, curious cut to a wobbling tone, the speakers fill out with large, fizzing walls, which build into a speeding, tumbling, rush of noise. This cuts, and the journey is done.

This is another great release from Phantom Cadaver, resolutely pursuing wall noise, whilst simultaneously pushing and pulling the genre. There are a few sections which do little for me, but the vast bulk of the material is constantly engaging. It’s particularly impressive how the material wanders, and explores, without ever fundamentally changing - it has a good sense of its own boundaries, and potential.