The three twenty-to-twenty seven minute tracks are built around a blend of manipulated recordings of deep space sounds and cosmic activity from between the years 1993 and 2003- taking in recordings from various sources, including NASA.  These recordings are skilfully stretched, layered, and built together to create these vast & slowly shifting sound-worlds, which take in the vastness, mystery, and wholly compelling  atmospheric darkness of deep space. Each track is both eventful, yet considered in it’s unfold- with Lustmord very carefully treading the line between worthy compositionally progression and atmosphere. Also there is a fairly varied blend of different types of texturally settings, as well as often memorable & haunting harmonic drifts running through all three of the tracks lifetimes.

From the very start to the last minute one is total captured by the albums slowly shifting sonic landscapes- like all great ambient work this has to taken as a whole journey, and one long 70 minute ride. You have to let yourself become one with the slow ebb & flow of the sonic landscapes; as you both ponder the seemingly uncharted vastness of space, and mankind’s small-ness with in the universe.

Simply put Dark Matter is a dark ambient masterpiece- which I can see myself returning to again & again, for both it’s skilful unfold, cleverly layered detail, and haunting yet highly compelling vast-ness.