Total Life's contribution is one 17 minute long drone. The main component of "Fader" is a med/hi buzzy drone that hums along over a lower, quick oscillation. Could be the heatwave I'm currently experiencing, but it sounds like a bug sitting on top of an air conditioning unit. While this combo plays throughout the running time, the focus shifts from the high on top to mids that emerge. They have a sort of swirl to them. That's the song's approach: different notes slowly gain focus, make their way to the front, and then return back when their new buddy decides to step up. While certain sounds are nice, they last far too long. If it weren't for the subtle changes, I would've thought Total Life passed out on his synth.

Deceh's "Thrive Outside Economy" is in three parts. "Thrive" consists of a low buzz with a higher drone on top. The top drone fades in and out from time to time. "Outside" is a strong, low buzz that has a long, slow throb to it. A medium tone comes out and joins the party. "Economy" begins with a low volume, higher pitched buzz. Eventually, a low bass rumble type beat comes in and takes some of the sting out of it. The three parts help this 20 minute song from being a total snorefest. "Outside" is probably the most interesting of the three, but, as mentioned above, I get bored of static songs.

Modular synths are a great idea and look awesome and cool. However, every time I see someone set theirs up, I know I'm in for a miserable time. I'm sure there's an act out there that'll prove me wrong, but modulars ooze pretentiousness and boring performances. This split doesn't work for me at all. This is probably a nice synth album for HNW fans (I don't get HNW, either).