The overall effect is successful throughout in suggesting a calm ebb and flow of the tide. Typically, clusters of amber tones are formed (most often on a richly harmonic guitar) that lazily extend, curling and uncurling, before withdrawing over the airy ambience of a lightly hissing tape recorder whose unedited documentary occasionally reveals feint steps and rustles of a pastoral life. Particularly on tracks like the opener, ‘Wave Atlas’, as well as both parts of the title track and ‘Wind And Wake’, the bell-like harmonics have a sense of bright sunlight’s dappling effect radiating a water’s surface. While elsewhere, the unhurried twang over a distant wind chime can feel like an effortless introduction to an alt.country epic.

The recording quality is perhaps the most remarkable aspect of the release, the guitar is closely mic’d revealing the intended and unintended resonances of every finger movement, while the clicks and pops of the tape recordings are finely balanced with the warm bed of reverberating undercurrents that loosely weave and waft here and there. While easy on the ear, these inconsequential sound poems all seem to describe the same state – a bright, sun-filled morning, carefree and calm. All tracks swim around the same register at a similar drowsy pace providing a feeling of an inert yet sober groundhog day, albeit one with great weather and scenery. This stillness makes the album far preferable as background ambience where it has the tranquillising effect of an uneventful coastal stroll.