The disc starts off with a short piece, Good Times, an introduction of sorts, consisting of clean, finger picked guitar with a (slightly manipulated) music box in the background. His Belly Burst (could this be about appendicitis?) is the next piece, and it's a seventeen-plus minute monster. It starts off unassumingly enough with a classical sounding suite consisting of cello by Jonah Saks, ebow guitar and general ambience. Halfway through a thudding muted guitar chord used as percussion enters the picture, building toward a rhythmic, hypnotic ending. The next track, 2nd Anniversary, is a transitional, short drone piece which takes you into the album's loudest segment; titled simply ...and ever. It's another long track, and the most obvious comparison you could make would be to King Crimson. Keeping in mind that this music is all created by one man, with limited instrumentation, the piece is quite an accomplishment. The track sounds like a cross between the dirty distortion of the Red era Crimson blended with the cleaner, more melodic, Discipline era.

From there the album mellows out a bit, but it doesn't necessarily go down hill. In fact, it ends on a serene note, mixing low end drone with acoustic guitars, which after such a ride seems appropriate. Memory was recorded at various locales, such as an old bank in West Virginia, an antiquated movie theater, etc. Perhaps the artist's intention is to bring the essence of these places, and of memories from his past into his music. Not an easy thing to do with (practically) all instrumental music, but in the least this is a valiant effort. Whether or not you pick up on the theme, it's pretty damned entertaining.