The dialogue details mass disasters, wars and societies total collapse & taking in  heated TV chat show debates, panicked  heroic and desperate texts from  small groups of survivors & defenders, to lone people walking the streets deep in paranoid expressing their been watched from every Connor. There’s also a use of sounds such as helicopters, plane noise, air sirens etc to heighten the effect of the picec. The musical elements are a collusion of locked doomy string soundtrack scoring, looped/ blurred easy listening, jazz elements and stuck 60’s pop.  Lundkvist builds-up the 32 mintue picec with a great feeling of desperation, confusion and ultimate complete loss. The collection of the samples alone must have been a mammoth task in it’s self, let alone the crafting  manipulations of the samples for maximum effect and atmosphere.

A rewarding and clever work of collaging that is not something you’d play often, but is never the less very effective in it’s feeling of doom, that’s sometime touched with comic & camp edges.