For a Moment the Sky Knew My Name speaks to the fleeting moments one can witness and our oneness with nature. Peter Knight playing his trumpet on a hill with only the sky as witness, the inspiration of nature, memory, and transience is strong on the four pieces of this work. Like the calling of a new day, the muted trumpets rush forth with the waves in "The Coiling of the Tide," an enigmatic and evocative beginning to Knight's latest. His trumpet has double duty on this song, with one instance acting like the bugle calling "Reveille" in a sense, and the other playing a bit more sensual, eliciting a more raw response from the listener. Synthesized waves give the location but the trumpet and the slow rise and fall of the background layers give it the atmosphere. As discussed above, For a Moment deals heavily with self-reflection and understanding (both self and natural world), and "Leaf and Shadow" feels like the soundtrack to this awakening more specifically. Not as "rise and shine" as the awakening in the previous track, this one slowly bubbles and churns with brightness and excitement, the collision of past and present, both giving way to the future. Its light effervescence keeps it playful, like the fleeting insect wing synths, reminding us that the present is now, we are now, and now must be lived and enjoyed. "For a Moment the Sky Knew My Name" is the centerpiece of the album, not only structurally (roughly eleven minutes of music before and eleven minutes after) but thematically, with all of Knight's emotions and inspirations coming together as one. With some help from Lawrence English (atmospheres) and Quinn Knight (drums), the near twenty minute piece grows larger and fuller, thickening with the sound of understanding, the mind awash with the knowledge gained in self-discovery. Water and waves return, a turbulent mirroring of the sky, nature creating its own feedback loop. And much like these bodies of water, "For a Moment" is very immersive, with the piece itself presenting sounds that feel both above and below the water line. This time for relaxation and reflection makes way for the quick percussion of the drums, like the breaking of waves against the shore at high tide, an end to the cycle, but as always, hearkening the start of another. The trumpet plays well against this oscillating synth and drum tide, and the listener is presented with the mirror to the opening track. Closing the album and the day, "The Night Tremors, So It Begs the Dawn" is a somber piece, but one celebrating nightfall and the cycle starting anew, much like the drums and the tide previously. The trumpet plays above lower, shimmering layers, its distinct notes a stark contrast to the slow oscillation below. Like the bright moon reflecting on the water's surface, its call will be heard, its draw eternal. Despite the evocative notes and play style, this is not a lament, but a heartfelt eulogy to what was, and a welcome to what will be.

 

Atmospheric and engaging, Peter Knight's For a Moment the Sky Knew My Name wonderfully captures the beauty of the natural world, our place in it, and how all mechanisms (internal, external, real, and imagined) work the same way. Experiences are fleeting, but memories are forever, we're told, but they can fade with time like wind eroding a dune, or disappear completely when we pass. However, the wind sweeping the sand away from one dune inevitably deposits it elsewhere, beginning the process anew, and when our memories fade, our existence will be reborn in those who come after us, be it through genetics, stories, or what we've taught them. Sometimes the albums with the deepest messages have no words to them because who better to tell you how to experience it/yourself than you? For A Moment the Sky Knew My Name is just that album. For more