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Here we have a C6o compilation that celebrates the giallo & murder themed walled noise of highly respected Texas based noise artists Richard Ramirez. The release offers up four tracks, from four separate Ramirez projects ( both solo & group projects), and the theme fitting yellow cassette comes in a classy yellow, black & red A5 sleeve.
This cassette, on Gerauschmanufaktur is unusually colourful - for a Vomir release. The nicely printed and designed inlay, is a mix of sombre black and white, and translucent, almost trippy, bright colours. There’s a richness and saturation to these hues, that suggests both intensity and indulgence. Vomir is a name that I’ll assume you know, while Kikuchi is a drummer; together, they both simply do their thing - with no compromise to the other. This results in two tracks, across two sides of tape; both untitled.
Autistic Campaign presents a new-ish split cassette by a couple of international heavy-weights: Raven and Astro. Raven is the alias of one Djordje Miladinoviæ. Hailing from Serbia, Raven toils with harsh noise mixed with an Anarcho-punk aesthetic. Active since 2011, Djordje Miladinoviæ has released a dizzying stream of releases in a few short years, enough to give the Merz a run for his money. Astro, a staple in the Japanese noise scene, began in 1993 as the solo project of Hiroshi Hasegawa (C.C.C.C.), but has been a duo since 2013 with collaborator Hiroko Hasegawa.
German wall noise project Die Reitenden Leichen has been one of the longer running & consistent projects to appear from within the euro HNW scene. The project has been active since 2009, and while it’s not as prolific as some, it’s slowly but surely released a flow of quality release over the years that focus in on often dense, but often subtle layer shifting wall craft. This CDR release from summer 2015 appeared on the Breaching Static label, and it offers up two walls that each fall between the ten & fifteen minute mark, with a release total running time of twenty seven minutes.
Here we have a five CDR release from French husband & wife walled noise duo Absurde. The set offers up five walls that each run between thirty to forty minutes a piece, and for the most part it’s a brutal yet appealing collection of wall craft. The theme for the whole release is frustration- in it's various forms.
Anonymous is/was a mysterious euro walled noise project, which focused in on fixed HNW themed around historic battles and war atrocities. Gaines's Mill was the last (final?) release from the project- it appeared in October 2014, and came in the form of CDR on Irelands Bored Bear Recordings.
Iron Bonehead winds down 2015 with the debut demo release of Ripping Death, Tales of the Ripper. This limited edition tape shows that old school death never dies, and Ripping Death fly the flag proudly. Though brief, the three originals and one cover churn and burn with a nice, old ferocity that make the runtime fly by, and beg the listener to hit play as soon as the fourth track finishes.
Over the last few years Uk based label BGO have been doing a stellar job in reissuing the back catalogue of The Incredible String Band- a late 60’s/ early 70’s band who brewed up a very distinctive & one-off blend of: psychedelic folk, world music, and genre mixing. Here we have the next chapter in their reissue series, and it comes in the form of 1968’s Wee Tam and the Big Huge- which saw the band offering up a more concise & controlled selection of tracks that highlighted both the bands ability to write a good memorable tune, yet also create surprising & creative song craft.
From late summer 2015 here’s Konchuuki- an album of new material from one of the noise scenes most renowned & respected names. The release comes in the form of a CD, which offers up four tracks & just less than sixty five minutes of play time. The release title means ‘insect machine’, and the theme of the release is the study of insects.
Technomancer is an album that blends together elements of 80’s & 90’s dance/electronica to create a work that seems to exists its own distinctive retro future styled sonic reality.
Here we have a 2014 reissue of the sixth album from this celebrated & highly influential Psychedelic/progressive Scottish folk band. The album originally appeared back in 1970, and saw the band offering up six songs in total with two of the tracks moving into epic ISB territory as they each run over the ten minute mark.
This cdr release, on the now-established label Nahash Atrym Productions, comes in an oversized card insert and bag. The artwork is cleanly designed and potentially iconic, but the thirty-two minute track it contains is less noteworthy. Sperme Noir are a duo, listed as: ‘Denis Theval : analog synth, pedal effect’ and ‘Szymkowiak Joseph : metal plate, pedal effects’.
Pianist Christian Wallumrød has released "Pianokammer" on the Norweigen label Hubro, who are responsible for many of my favorite psychedelic jazz/rock improvisation recordings of the last few years, such as Bly De Blyant's "ABC".
Nahàsh Atrym Productions presents The Temple of the Clay Flower by White Matter Phantasm. A lot can be surmised by a name. In the case of the moniker White Matter Phantasm (WMP), I hypothesized that if Black Matter Phantasm (BMP) was the blackened HNW project of Szymkowiak Joseph, then WMP must certainly be his somber...more ambient side. And by Sherlock, I wasn’t far off.
Four years since his last offering, 2015 has Rez Epo (Konrad Materek) returning with a new CDr on his own Chaosynod label. Consisting of three long-form tracks, Reprorea showcases thoughtful, vibrant, electronic noise that almost feels alive. With a buzzing like sticking one's head into a mound full of insects, Rez Epo's latest is harsh enough to have some stones, but not so much to turn away a casual listener.
Veteran avant garde composer and V-accordion player Pauline Oliveros has joined forces with clarinet player David Rothenberg and throat singer Timothy Hill for "Cicada Dream Band", a new project in the spirit of her other trio, the Deep Listening Band, responsible for many of Oliveros' most known releases. Like Deep Listening Band, the music on this album is an active form of ambient / classical avant garde / free improvisation which combines field recordings with live instrumentation.
Here we have a short, but brutally sweet 3inc walled noise CDR from this Denton Texas based HNW project.
Here we have the 3rd & final part of RRR’s Body Connection series, and as with the other parts we get a single mid length slab of fixed ‘n’ raging walled noise. Once again the release comes in the form of a CDR, which comes in the house style Required Rate of Return thin DVD case that features grim yet minimal black & white artwork.
4iB has been on quite a roll with quality releases this year. Perhaps the most intriguing is this new CD by PSICOPOMPO, entitled Synchronicity (theory of Carl Jung). PSICOPOMPO means Psychopomp in Italian, a guide who accompanies the dying to the afterworld. A fitting moniker for this collaborative effort from Hermann Kopp and Lorenzo Abbatoir. Kopp is a long-running German composer, known for, but not limited to, his soundtrack work on the Jörg Buttgereit films: Nekromantik & Der Todesking. Abbatoir is perhaps best known for his dark HNW project Nascatari. Both are accomplished in their own respective crafts, but together they’ve created something quite special.
This cassette, on Palinopsia Recordings, comes with an effectively grimy inlay - a xeroxed collage of eyes, blown-out buildings and medieval woodcuts. The tape contains four tracks and amounts to around forty minutes of noise.
Fleischmaschine is the 2014 full length debut release from Schräge Musik, which is one of the recent project of respected British industrial/experimental artists Patrick Leagas- who was a major part of the early Death In June line-up, and went onto to some great genre shifting work with his 6 Comm project.
Here we have a C50 split that offers up two twenty five minute slices nihilistic & nasty walled noise. It brings together northern English project D.S.W.A.C.V, and Chicago USA based Chaste.
A Terminal Grief is the second releases from DeaD!!!, which is the new project of Manchester based James Patrick (of Cherry Blossom At Night, & runner of HNW/ PE label DeathSexElectrionics). The release comes in the form a CDR, and it features two mid-ranged length slices of walled noise that focus in on slowed & extremely bleak wall craft.
Canadian sound artist and designer, Christopher Bissonnette, came onto the scene in 2005 with his release of Periphery. Ten years later, Kranky brings us his newest, Pitch, Paper & Foil. Expanding his sound and, more importantly, his work on modular synthesis, PPF is about growth and restraint. Christopher has grown and taken more control of his modular and, because of this, has learned how to channel it into loving synthesis instead of typical modular, self-indulgent noodling.