Children Of The Wicker Man — Children Of The Wicker Man (theatrical)

Directed by Justin and Dominic Hardy (alongside Chris Nunn), Children of the Wicker Man isn’t quite the documentary you might expect. While it explores the origins, production, and legacy of the famous 1973 British folk horror film The Wicker Man, it focuses on something uniquely personal.

Gabriel Prokofiev — Dark Lights

Dark Lights is an angularly wavering mix of orchestral music, modular synth, 808 beat-craft, with a general warped/ skewed feel. This is a CD release on Nonclassical, from early this year.

Alive With Static

Olion Interview

Active since the early 2020’s, Olion is one of the key projects within the euro wall-noise scene. To date, it’s put out around seventy releases- taking in both physical and digital form- with stand-alone releases, splits, and collaborations. Sound-wise, their output moves between pummelling, thick-yet oddly soothing. To more texturally layered, and forays into ANW. Behind the project is Olek Browiński from Olsztyn in northern Poland, and he kindly agreed to give us an email interview

Won’t You Ragnarok with Me?

A Julian Cope Primmer

Erupting into the mainstream on February 19th 1981, The Teardrop Explodes’ debut ‘Top of the Pops’ television performance featuring their brassy, bouncy hit ‘Reward’ is to this day probably the moment from which most people recall Julian Cope. If your image of Julian remains that of an earnest young budding pop star sporting a fleece-collared flying jacket and a shaggy bowlcut of shoulder-length tresses, if you failed to maintain pace with his entry into the cosmos, if you dismissively describe him (as I’ve seen thereabouts) as “a Smash Hits pin-up”, you have one hell of a lot of catching up to do. Musique Machine have tasked me with leading their readers through the psychedelic jungle and beyond, here, and I have to say that Julian probably merits the ‘beginners’ guide to’ / ‘recommended records’ treatment more than just about any other artist in the music sphere, at least in terms of how public perception and the ‘reality’ (if such a word is appropriate in this extreme case) have a near-unbridgeable gulf.