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From the late 1970’s The Music Machine is an entertaining and rather charming slice of British disco-exploitation. It’s set around a north London disco competition, and focuses on Gerry, a wide-eyed, strawberry-blond twenties-something, who wants to break out of unemployment drudgery. The film features a likeable cast, lots of pulsing lights, sparking suits, disco ball spinning tunes, and groovy dance moves, plus some very British touches. Here from Severin is a recent Blu-ray release of the film, featuring a sparkling new 4k scan and a good selection of all-new extras.
30 Jul 2026
Vacant Align Interview
Active since October 2025, Wisconsin’s Vacant Align is one of the more atmospheric and texturally inventive wall noise projects to appear in some time. It’s a project that takes its time in releasing work, and you can certainly hear it, as each of their releases so far is a perfectly crafted blend of expressive and engaging textures. Behind the project is John Engman, who very kindly agreed to give us an email interview
24 Jun 2026
Now here’s one of the more creative/orginal takes on the sharkploitation genre. A half-man/ half-shark serial killer, set in a genre blend of unsettling slasher & criminal-on-the-run thriller with touches of demented creature feature, action, and, of course, Jaws send-up. Here from SRS Cinema is a new Blu-ray of this 2026 film, taking in a director's commentary & trailer.
If you didn’t know any better, you might guess that Jana Irmert’s latest release is meant to accompany something — an installation, a perambulatory exploration of some subterranean environment, or, more prosaically, a film.
Percussion ensemble HIIIT returns with the third instalment in their collaborative electronic series, SIIIX. As the name would imply, HIIIT worked with six other artists to come up with the tracks for this latest volume, each sharing/manipulating material in a two-way exchange, unlike many compilations of this sort. In this way, both artists have a say at how the other's is shaped and moulded, and the interplay/interweaving is stronger and more intense. This leads to tracks that have more rigid intent and feel more like compositions instead of improvisations. But, at the heart of it all is the percussion, and fans of putting on headphones and zoning out to an ambulatory beat should take note, as all six pieces move fluidly and effortlessly.
Obsidian Cross — Obsidian Cross 100
28 Jul 2026Koobaatoo Asparagus — Static Terrain
28 Jul 2026Whores Breath — The Beast
28 Jul 2026Corpse — Corpse( Blu Ray)
28 Jul 2026James M Creed — Tending
27 Jul 2026Sylvia Lim — Flare
27 Jul 2026The Mortuary Assistant — The Mortuary Assistant ( Blu Ray)
24 Jul 2026Dirk Serries & Asmus Tietchens — Die Regeninsel
23 Jul 2026
Jasper Sharp interview
In the year 1971, Nikkatsu, the oldest/ at one point, the biggest film production company in Japan. Did something quite daring/ some would say crazy- they completely switched over their production to softcore adult films, which would become known as Roman Porno. Between 1971 and 1988, the company produced around 850 of these titles. The thing that made these films stand out from general softcore films is the often creative & inventive choices made- yes, the films primal focus is sleaze, but great examples of the genre are so much more than that. In the last year or so, there has been a spate of reissues of films in the genre from labels such as 88 Films, Third Window Films, and Klubb Super 8. One of the key figures/contributors behind these releases is Jasper Sharp- one of the world's experts on the genre, and the wider Pink genre it’s connected to. Jasper kindly agreed to give us an email interview discussing his history with the genre, his contributions to releases, and the new/updated edition of his book Behind The Pink Curtain: The Complete History of Japanese Sex Cinema on Fab Press.
King Futile Interview
King Futile is the new project from Scotland-based Lea Cummings( Kylie Minoise, Official Music Team, etc), and it’s a big departure from his normal noise or retro sample & electronica sound. It's lo-fi acoustic music, with an outsider feel, and often quite tongue-in-cheek/ sharply sarcastic tone to the lyrics. So far, the project has put out three albums- Casual Misery, How To Have Fun, and Zen As Fuck. I tracked down Lea for an email interview.
Cliff Twemlow On Severin
One of last year’s real big surprises in the world of Blu-ray box sets was Bloody Legend: The Complete Twemlow Collection, as it was a wholly entertaining, fascinating, and at times heart-warming set. The Severin released boxset brought together the work of one of the UK’s unlikeliest movie moguls- Cliff Twemlow, a Mancunian bouncer/ body builder, who went on to write/star in/produce a series of low-budget/ largely SOV films in the early 80s to early 90s- these moved between action, thriller, sci-fi, and horror. His most notable/notorious film was 1983’s G.B.H., which landed on the video nasty list, though he was connected to other ten feature films, many of which got their first real full/proper release on the boxset. Opening up the set was the excellent 2023 documentary Mancunian Man: The Legendary Life of Cliff Twemlow, which really pulls you into the set. I caught up with Severn’s David Gregory and Jake West, director of Mancunian Man, to discuss the boxset and all things cliff.
The Fall
MES( Mark E Smith- The Falls main creator) possessed the ability to cram phrases into impossible spaces - “I’m hunting and I’m trying to find” delivered as “hut’na tryna find”; the eight-syllable “mere pseud mag editor’s father” hastily squeezed into a manipulation of time and space, heralded by the prior line “twice each at least”, the latter naturally repeated thrice.
