
Idolatry is a two-track journey into extreme crude/ lo-fi walled noise from this up-and-coming Florida project, which is all the work of Ivan Reash ( Bastard Sword, Sex With Dead Slaves, self-named releases). Each track here runs around the twenty-minute mark, and each is as raw as the other.
5 Nov 2026
Severin
2026 is the twentieth anniversary of Severin- one of the best-known and respected labels in cult/ b-movie circles. At M[m], we’ve been reviewing the label's output for around ten years now- racking up around one hundred and fifty of their releases covered on the site. So, we’ve decided to look back and select our top twenty releases to date!... These include releases from the sub-labels InterVision & Severin Kids, with indepth reviews for each!
8 Oct 2026
Painial is a nearly seventeen-minute shot of roughshod wall-craft from this Scranton, South Carolina, project. It most certainly is an unrelenting attack on your ears- with the sound picture as full & overwhelming as possible.

La Terreur HNW presents us with two around eighteen-minute slabs of battering & brutalising walled noise from this highly prolific project from Bordeaux, France.

Olion & Silver Dove — All The Pretty Little Kittens II
4 Nov 2026Pink Wool / Hana Haruna — The Mad And Macabre
4 Nov 2026Forced Stasis/Rumonoise — Split
4 Nov 2026400 Lonely Things — Apologizing to Ghosts
4 Nov 2026
Olion Interview
Active since the early 2020’s, Olion is one of the key projects within the euro wall-noise scene. To date, it’s put out around seventy releases- taking in both physical and digital form- with stand-alone releases, splits, and collaborations. Sound-wise, their output moves between pummelling, thick-yet oddly soothing. To more texturally layered, and forays into ANW. Behind the project is Olek Browiński from Olsztyn in northern Poland, and he kindly agreed to give us an email interview

A Julian Cope Primmer
Erupting into the mainstream on February 19th 1981, The Teardrop Explodes’ debut ‘Top of the Pops’ television performance featuring their brassy, bouncy hit ‘Reward’ is to this day probably the moment from which most people recall Julian Cope. If your image of Julian remains that of an earnest young budding pop star sporting a fleece-collared flying jacket and a shaggy bowlcut of shoulder-length tresses, if you failed to maintain pace with his entry into the cosmos, if you dismissively describe him (as I’ve seen thereabouts) as “a Smash Hits pin-up”, you have one hell of a lot of catching up to do. Musique Machine have tasked me with leading their readers through the psychedelic jungle and beyond, here, and I have to say that Julian probably merits the ‘beginners’ guide to’ / ‘recommended records’ treatment more than just about any other artist in the music sphere, at least in terms of how public perception and the ‘reality’ (if such a word is appropriate in this extreme case) have a near-unbridgeable gulf.
It Ends (2025) is an American existential thriller written and directed by Alexander Ullom, whose feature debut premiered at SXSW in 2025. Mitchell Cole (Against the Spread) stars as Tyler, with Akira Jackson (Against the Spread, Urban Flesh Easters) as Day, Noah Toth (Ojai, Senior Prank) as Fisher and Phinehas Yoon (One True Loves) as James
BRRRDS+Y — Glashaus
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