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The Willow Bends And So Do I is an hour-long piece from Stockholm-based Magnus Granberg, whose output sits somewhere between modern chamber music & gentle improvisation. This 2024 work is played by Skogen- a nine-piece collective, which features the composer him self on prepared piano. And as a long-term fan of Mr Granberg's output, I’m happy to report this is another wholly captivating piece which seesaws between haunting, angularly intriguing, and subtle yet rewardingly noisy- with generally enchantingly creative use of textural detail throughout.
Here, from Deaf Crocodile, is a double-disc Blu-ray set bringing together two 1970s sci-fi films from behind the Iron Curtain, produced by East German state-run studio DEFA. Each film features a new HD scan and a commentary track
Australian composer Peter Knight's latest work was inspired by the sea, sand, and wind of SE Australia, where the beaches and rivers of his childhood rekindled his passion for the area's intriguing beauty while on vacation with his family. For a Moment the Sky Knew My Name speaks to the transience of the wind, how it can shape and affect the landscape, always moving forward, but still echoing the past, much like the body will have its memories slowly blown away and forgotten. Much like the belief in Panta rhei, the beaches and rivers of Peter's youth may have familiar aspects, but they've all changed. But so has Peter. Memories are just that, immutable and in the past, and each new step in an old footprint is a brand new experience.
Here’s a 2025 feature-length attempt at telling the story of 1970s towering 6-foot-9 Californian serial killer Edmund Kemper, aka the Co-ed Killer, whose crimes involved decapitation, dismemberment, and necrophilia. The film is somewhat a hit & miss affair- on the positive side, the cast largely works and there are effective moments of shock/ unease. On the less positive side, it has a mixed tonal quality, some cheap period detail, and some decidedly uneven/ ropy editing. Here from Epic Pictures is a Blu-ray release of the film, with a commentary track and a few other extras.
From the late 1970s, Absolution is a British Catholic boys' school set blend of drama & thriller, which nicely builds up both the feeling of suspense and rewarding plot twists. The film features a great/well-picked cast- bringing together Richard Burton as a pious/ at times cruel priest/teacher & Billy Connolly as a motorbike-bound free spirit/ vagabond- who sets up camp in a nearby forest. As well as some great performances from younger cast members, too. Here from 88 Films, as either a Blu-ray or DVD, is a new release of the film, taking in two versions of the film, two commentary tracks and a few interviews.
Jake Helgren steps away from his usual holiday rom-coms like Dashing in December and gives us the gift of The Naughty List of Mr Scrooge, a 2024 Christmas horror/slasher ensemble. Starring Skye Coyne, Colin Koth, Kim Whalen, Liz Fenning, Adam Bucci, Ali Zahiri, and Coél Mahal, the film follows a group of former college friends reuniting fifteen years after a tragedy during their production of A Christmas Carol, only to find themselves stalked by a killer dressed as a deranged Ebenezer Scrooge.
Circle The Sun is the first album of new material from this British band in four decades. It finds the four-piece band once again firing up their brew of strutting rock, upfront Hammond organ jamming, and gothic-themed prog.
Leftovers 1970-1988 is a two-CD compilation bringing together rare outtakes, alternative versions, & unreleased tracks from those avant-popsters The Residents. Over the two discs, we get a total of thirty-one tracks, and for a long-term fan of the eyeballed & top-hatted one, it is a truly fascinating/revelatory release.
Disco Love Dub is a two-CD compilation bringing together 12” dub remixers, from 1978 to 1984- all created by respected reggae producer Joe Gibbs & his band The Professionals. The thirty-six track collection moves between more pared-back bass ‘n’ beats mixes, onto more dancefloor-focused fare, through to the more quirky/ wonky workouts.
Cyclic Law mainstay Ajna has returned with a lush and elegant follow up, New Revelations of Being, a sprawling seventy minutes, which is a listening experience much like exploring some subterranean city in a dream. For those unfamiliar, Ajna's primary language is rushes of air implying impossible vastness, and melodically imbued reverberant contrails (which is often called 'dark ambient'). This is something of an understated symphony, with three-dimensional modern sound design; a very wide stereo field
Gulskul is the self-titled debut album of this three-piece project, who create a warped, electro-buzzing, noise-edged mix of lo-fi wave & shouty/baying female-led experimental post-punk.
King Futile is the new project from Scotland-based Lea Cummings( Kylie Minoise, Official Music Team, etc), and it’s a big departure from his normal noise or retro sample & electronica sound. Casual Misery is the project's debut, taking in eight tracks of lo-fi acoustic music, with an outsider feel, and often quite tongue-in-cheek/ sharply sarcastic tone to the lyrics.
Here’s a follow-up to Severin’s 2022 box set House Of Psychotic Women Rarities Collection. It’s once again curated by Kier-La Janisse, who penned the 2012 book House of Psychotic Women, which looked at female neurosis in horror and exploitation films. This recent Blu-ray collection brings together four more films from around the world, focusing on unhinged/unbalanced women. The set also takes in ten plus hours of extras- taking in new commentaries, introductions, interviews, short films & more.
Ninja Terminator is a cheapo Ninja action movie from 1986 directed by Godfrey Ho (The Ninja Squad, Ninja Destroyer and Thunder Ninja Kids: The Hunt for the Devil Boxer) and starring Richard Harrison (Ninja Dragon, Secret Agent Fireball and Terror Force Commando), Jeong-Lee Hwang (Drunken Master, Game of Death II and Snake in the Eagles Shadow), Jack Lam (The Leopard Fist Ninja, The Spring and Chains of Gold), and Maria Francesca (Operation Las Vegas, Diamond Ninja Force and Day of Violence).
Brian House has put together something of an album, the contents of which really pass over anything resembling the possibility of a critical appraisal (more on this in a sec). The concept of Infrasound –– the auditory information that exists below the threshold of human perception – is a topic closely wed to larger concerns of situatedenss, environmental awareness, and the like. So when Brian House, a professor of such things, set out to construct microphones capable of capturing such phenomena, the die was essentially cast. In other words, House, fully cognizant of this fact, had no real control over what it is said microphones would relay. In order to render these findings perceptible, House used an old chestnut of tape recording: speed things up, which will de facto pitch things up to a frequency range that our little lugs can hold onto.
Human emotion is often difficult to convey through words, so art becomes the perfect channel for those needing to express themselves on a deeper, more intuitive level than glossology alone. War has unfortunately been driving humans to the brink of their emotions since prehistory, but thankfully art has been there even longer to serve as an outlet for those needing to get their fears and frustrations out into the world. French artist Lambwool created Ashes as a necessary response to Russia's invasion of Ukraine and its profound (and warranted) effect on his mental state, the emotions stirring from current times, as well as the post-war trauma burned deeply into European psyches. This work of dark ambient conveys the cold, brutal essence of this war, but by not getting too mired in the darkness, it presents a hopeful air that can help us all get through dark, terrifying times.
From the early 2020s, Shakespeare's Shitstorm sees Lloyd Kaufman and the Troma team doing their own distinctively crude, wacky, and deranged take on the Bard's play The Tempest. It finds mad doctor Prospero (Kaufman) shipwrecking, via a storm of defecating whales, a boatload of pharmaceutical executives to Tromaville, New Jersey, to carry out his revenge. If you know Troma, this is pretty much business as usual, with self-referential/perverse humour, large-breasted ladies, generally wacky manic-ness, silly musical numbers, and splatter-bound gore. Here from Troma Films is a three-disc release of the film, taking in a UHD, and two Blu-rays, with a good selection of extras
Evil Laugh is a mid-80s slasher with some light touches of humour and ahead-of-its-time postmodern elements. It features a cackling killer, some fairly bloody kills, the most inventive being microwave-based. Sure, it’s not a top-level example of the genre/ plays to the cliches- but it’s engaging enough, and will appeal to fans of the stalk ‘n’ slash form. Here from 88 Films- as part of their Slasher Classic series- is a Blu-ray release of the film, taking in an HD scan, commentary track from the slasher-loving podcast The Hysteria Continues, and a full-length archive documentary.
The Gospel According To Hana Haruna is a three-track release, which blurs the lines between spiteful ‘n’ searing wall of noise and more drifting/choral ambience. It’s a release that once again sees this Portland project pushing at the edges of the wall noise genre, for something rather distinctive.
Cranial Collapse is a decidedly swirling, yet crude/ nasty take on the walled noise form. The dead-on, twenty-minute track adds in a sparse/ buried spoken word element to create an extra layer of unease to the proceedings.
Music Of The Future is a more formal, dense/ not so multi-layered/ less ambient take on the wall noise form from this US project, which normally focuses on the more playful/experimental side of the genre.
Cutter's Club is a lost film featuring horror legend Tony Todd as a schizophrenic university medical lecturer. In his spare time, he is part of a secret club, where they are (meant to be) pushing the limits of surgery. The film is a Full Moon/ Charles Band film, with one or two neat effects/ moments, and a great OTT performance from Mr Todd. Here’s the Blu-ray release of the film, with just a few extras.
A band’s disappearance in spring 2024 is the springboard for Director’s Cut, a slasher from writer-director Don Capria.
Ms.45 is an early 80's rape/revenge thriller set on the gritty streets of New York City. The film speeds by like a bullet- with the mute ‘n’ timid victim shifting from being traumatised & shellshocked, to a red lipstick wearing/ gun tooting killer. It drops down in horror, manipulative drama, and all-out gonzo exploitation. Here from Arrow Video, both in the UK and stateside, here’s either a UHD or Blu-ray release of the film, taking in a commentary track, and a good selection of extras