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The Polydor Years is a two-CD set bringing together one EP and one album released by British new wave artist Peter Godwind, with each disc also taking in a fair few bonus tracks be they single mixes, remixers, or instrumental takes on album tracks. Mr Godwind’s take on the New Wave is fairly moody/dramatic, though the steady snaping ‘n’ bounding electro beats and jaunting synths are never too far away.
Here from 88 films is a Blu-Ray boxset bringing together the three films from the notorious Guts Of A Virgin trilogy. The Japanese mid-1980s pictures blend often rape and torture touching softcore with horror and crime thriller elements, for intense, bizarre and quirky cinematic rides. This, I believe, is the first-ever release of these films in the UK- with each picture having its own disc, featuring a clean and bright scan, with new interviews with the director for two of the films.
From 2023 Starve Acre is a blend of folk horror and downbeat drama. Set in the 1970s, the British production has the pace ‘n’ flow of the films from the decade it’s set in- slowly stirring together low-key dread & glum drama. Later adding into the mix we have elements of the supernatural creepy, with a few blood & jarring moments of violence. From the BFI here is a new release of the film- either coming as a DVD or Blu-Ray- taking in a commentary track, and a good selection of other extras.
To say The Blair Witch Project, is both influential and impactful is truly an understatement. Among the many things it did- it inspired and informed a whole film genre, changed the way we viewed the internet, and truly blurred the lines between fact and fiction. But beyond all this is a perfectly crafted slow burn, building up its feel of dread, panic, and unease- it features a highly believable/well-picked cast, and an inspired use of showing little or nothing, to trigger primal fear/imagination. Here from Second Sight Films is a new Blu-Ray boxset- featuring two cuts of the film, a new two-hour & half documentary, commentary tracks, outtakes, and more- with the set coming presented a one hundred and eighty-five-page hardback book with archive production materials, new essays and an additional book ‘Heather’s Journal’.
Diaries of Destruction is the collaboration of composer and guitarist Elif Yalvaç and bassist Jordan Muscatello, on the surface a joining of Turkish and British minds, but actually encompassing the majority of Europe through their collaborations, inspirations, and travels. Showcasing the more experimental end of drone metal, Elif's guitars and Jordan's bass form a thick and resinous tribute to their shared interests and inspirations, utilizing effects and electronics to further their aims. Dark but not without hints of light, DoD II is a somber affair that uses its thickness to invigorate and challenge, its emotional component is able to shine through and directly communicate to the listener. Whether referencing the Welsh tradition of Mari Lwyd, the Icelandic phrase "Þetta Reddast,” or reminiscing about Jean Claude Van Damme films, DoD II carries the heart and soul of its composers, and the dirges and exultations of their inner workings
Village Of Doom is an early 80’s Japanese crime drama based on one of the country's worst spree kills- The Tsuyama Massacre. It occurred in a small rural village in 1938, with thirty villages being killed by a twenty-one-year-old Mutsuo Toi - who had once showed so much promise. Much of the film’s one hour and forty minute five runtime regards the build-up to the massacre- so the film is best seen as a character study- come psychological unfolding, though we do get brutally bloody resolve. Here from Unearthed Films, is a Blu-Ray release of this lesser-known Asian true crime film- with a commentary track and a few other things.
This rather impressive-looking double-bill Blu-ray set from Film Masters features two early 60s neo-noir titles from the early 1960’s- Door-To-Door Maniac which features none other than Johny Cash in its lead, and the sightly sleazier Right Hand Of The Devil.
From 1972 The Italian Connection (La Mala Ordina) is the middle entry in director Fernando Di Leo’s poliziottesco ‘Milieu Trilogy’. Here from Radiance Films/ Raro Video is a remastered 4K Blu-ray release of the film, featuring a good selection of extras.
Here’s a quirky self-titled album from House of Gold, a band based in Montreal playing the compositions of Isaiah Ceccarelli. Ceccarelli sings and plays drums and synth on the album, accompanied by Eugénie Jobin on vocals and synth, Frédérique Roy on vocals, piano, and synth, and Katelyn Clark on organetto, piano, and synth. The instrumentation should alert you to the fact that this might not be a standard band recording; furthermore some of you might recognise Clark and Ceccarelli as the names behind the excellent Landmarks album released on Another Timbre a couple of years back, which combined organs, synths, and percussion in drones and deep listening. So, with that in mind, we have an album of often obtuse songs which don’t always hit home, but remain engaging nevertheless.
Triple Music takes one on a trip into textural detailed, but fragilely ebbing & flowing electro-acoustic improv. The three-track album utilizes sound loops and pre-recording elements to which the three members of Muddersten arrange in a largely eventful, lightly glitching, though fairly mellow/pared-back manner.
Spektralmaskin (Spectral Machine in English) is a three-track journey into grey ringings, hauntingly warblings, bleak ebbings, and eerily tollings. The collaborative album brings together two Norwegian sound creators- guitarist and composer Jo David Meyer Lysne, and microtonal tuba player, composer, and recording engineer Peder Simonsen.
Bass-heavy and deeply percussive, Samuel Rohrer's Music for Lovers is hardly the stuff of romantic fantasies, and that is very much Rohrer's point. While not really ironic, the love here is more bodily and brooding than tenderhearted and speaks to the connectedness of disparate parts – sound sources, approaches, techniques – which amount to a union of sorts.
Destination Bermuda is twenty five track compilation, which as its title suggests celebrates the island territory in the North Atlantic Ocean known for its pink-sand beaches. The CD is from these masters of the retro compilation Bear Family Records- the tracks are from between the 1950s and 1960’s, with a focus on the largely more mellow side of things- moving between swing, mellow pop, easy listening calypso, lightly simmering organ music, laid-back doo-wop & rock ‘n’ roll, etc.
Killers is a mid-90s crime thriller/ dark satire, with subtle dabs of post-noir and horror. It regards two on-the-run media savvy killer brothers, who break into a seemingly normal suburban house- finding not what they quite expected…the film features some neat/ surprising twists, and touches of female flesh/ gore. Here from Synapse Films is a Blu-Ray release – featuring a new total uncut scan of the film, a commentary track, and a few other things.
Andrew Ostler practices what he preaches. At least, he does when it comes to music. As the man behind top Eurorack modular synths, Expert Sleepers, not only does Ostler make a point of using the equipment that he builds when creating his own sounds, but he also supports other artists who do too - courtesy of his label of the same name. In fact, it is this very label that is behind the release of Ostler’s latest orchestrally driven The Blind Sublime.
The cinematic exploitation trope of bringing together/ pairing of notable characters- be they superheroes and supervillains, classic monsters vs classic, or Mexican wrestlers- has been long held/often successful ruse. In this cheap ‘n’ sleazy crime-action caper this trope is at its all-time bad taste high- as we get a serial rapist and crazed bomber being brought together. The Mad Bomber ( aka Confessions of a Dirty Cop, The Police Connection) is a shocking, fleshy, at points down-right ridiculous example of 70’s exploitation, which you can almost smell/ taste. Here from Severin, those resurrectors of cinematic tack ‘n’ oddity- is a singing 'n' dancing Blu-ray release of this grimly entertaining curio, taking in six hours of extras.
The Scavengers was the second roughie Western helmed by notorious US exploitation duo Lee Frost(The Defilers, Mondo Bizarre, The Black Gestapo) and Bob Cresse( The Harem Bunch, The Erotic Adventures of Zorro, & Love Slaves). It appeared in 1969 a year after their first shot at the genre the mean-spirited and nastily misogynistic Hot Spur. This film follows a group of filthy and hungry-for-the-flesh( be it any animal or female human) renegade confederate soldiers. And while it’s not quite as nasty/ unpleasant as the pair's first film, we get a fair bit of derangement, rape, and racial abuse. Here from Severin is a Blu-Ray release of the film- taking in an unrated & R version of the film, a commentary track, and a few other things.
The decidedly lengthy, and rather clunkily titled No Title as of 13 February 2024 28,340 Dead, is album number eight from this Canadian post-rock collective. It finds the band in a decidedly rough ‘n’ ready 1970s setting- in both its lose & crude production and its sonic pallet which heavily nods towards the more ragged guitar-bound side of both Neil Young and Popol Vuh, as well as general earthy/ rough instrumental country-rock vibe.
Face Value is an improv album that rewardingly shifts between darting angularity, glum moodiness, and pulse-pumping manic-ness. Transition Unit is a three-piece project- bringing together two Portuguese musicians saxophonist José Lencastre and pianist Rodrigo Pinheiro, with Belgian guitarist Dirk Serries.
Analog Deviation takes in two twenty-five-to-thirty-minute examples of wandering, sparse, at times abstract or noisy improv. Tonus is a three-piece collective bringing together Dirk Serries- Archtop guitar, Benedict Taylor- Viola, and Martina Verhoeven- grand piano.
სუნთქვის გარეშე( Without The Smell ) is a two-track release from Georgia’s Owners Of Knowledge- who create walled noise, be it dense, textured,or mixing the two states. Both tracks featured come in dead on the twenty-five-minute mark – one is dense & textual detail-lined, while the other is crude/rough-shod textured roll- so a decent contrast.
Here’s a very aptly titled walled noise collaboration that brings together two dense, impenetrable, and deeply searing examples of the HNW form. Coming as either a C30, or digital release- it appears on Stockholm’s Ominous Recordings.
The beauty of the synthesizer has been enjoyed since its birth in the mid 20th century and its growth, evolution, and place in society quickly saw it as a wonderful instrument and useful tool. Both acts on this split cassette from No Sides utilize the synthesizer in differing ways, however both build atmospheric, instrumental pieces that capture wonderful, evocative, and cinematic vibes. New Jersey's ETVRNE puts forth a somewhat medieval sounding, Goblin inspired spread while NYC's IZOLAT brings about the hazy moors with its natural, wilderness feeling ambient.
HMOT is a Siberian artist who got his start back in 2012 releasing beat-oriented, dub-based music, but has now refined his style into a kind of esoteric and subtle experimental ambient that would not be out of place on many avant-garde labels. It's a similar transformation undergone by an artist such as Shackleton. There Will Come Gentle Rain is one of two new albums to be released in 2024, a short full length at 35 minutes.