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Inside this impressive, black heavy paper sleeve is Gog's dark, heavy and expansive album "Mist from the random more". The album comprises of three powerful tracks that range between 7 and 23 minutes long, the second track is the central piece as it’s the longest, and the first and last tracks can be seen as perhaps prologue and epilogue for a very heavy and sharp juggernaut of an album.
Sexterminator 69 name suggests they could be either a perverse power electronics project, or a sleazy euro industrial band, or maybe even bondage obsessed hardcore punk band- but they are neither of these three possibilities, instead there a one man Italian based HNW project.
David Cunningham is perhaps best known for being the man behind the Flying Lizards, a collection of experimental and improvising musicians who against all odds had a hit with their quirky version of “Money.” Aside from that brief flirtation with pop he has being a very active as both a musician and a producer (A large number of the Michael Nyman soundtrack albums are produced by him).
“Falsehoods” offers up a c90 worth of battering, hopeless, often crusty and quite detailed HNW & dense static texturing from this Missouri based project that’s all the work of one Jeff Landgraf- whose also in the more spectral sounding HNW project Mass Graves.
This impressive and grim looking art booklet and CDR set came out back in 2007 and sees Griz+zlor offering up four nineteen minute tracks of fearsome, bleak and unforgiving wall matter.
Ecoute La Merde(meaning Listen to the Shit in English) is an French based active HNW project. And this first volume of Dedicated To The Living Dead( the second vol is reviewed here & featured A View From Nihil) sees the project offering up a single near on twelve minute track- so I guess you’d call this an ep or a single on a full sized CDR.
Should the emphasis here be on “twisted” or “cabaret”? Here we have eighteen tracks (plus a sixteen-track bonus DVD) from various artists, all in what could charitably be called a cabaret / music all style, all highly bemused, sardonic, sarcastic and proudly decadent.
“Mondo Cane” is not Mike Patton’s re-soundtracking of the classic 1962 pseudo-documentary of the same name, neither is it a collection of mondo or cannibal soundtracks done in Patton distinctive style. Instead it’s a selection of flamboyant, playful and quirky cover versions of 1950’s & 60’s Italian pop music.
“Alhambra Love Songs” finds Mr Zorn in mellow, elegant and often effortless melodic mood as he conjures up a mixture of easy listening, felt to upbeat jazziness and more filmatic pieces . The album features the trio of: Rob Burger on Piano, Greg Cohen on bass and Ben Perowsky on drums.
A collaborative effort here from two people who have both recently been involved in excellent projects with Lydia Lunch. Perhaps collaborating with Lydia led to them meeting and getting together to record this album.
Elegies For The End is Svartsinns’ fourth album. Released in 2009 (in conjunction with their 10th anniversary), the 2 disc set (in limited editions of 1000 copies) features one disc of songs and another of remixes (containing remixes by Triarrii, Letum, Gustaf Hildebrand and Tenebrious among other).
Birch Book is, of course, another project from B'ee, best known for being the frontman for the excellent psychedelic-folk group In Gowan Ring, who probably don't need any further introduction. IGR are definitely one of my favorite acts, so I'm excited about having to review this release.
'A Colour for Autumn' is one of several albums released by the prolific Lawrence English in 2009. Over time sound-artist/musician English has shown many faces and approaches within electronic world- this album is a delicate and beautiful work within the drone and ambient fields of the electronic world.
Samsara Blues Experiment play truly psychedelic rock with a modern stoner metal twist. They obviously love their classic rock, and do list Led Zeppelin as a primary influence, but their songwriting and perfect synergy as players make this album a real standout from the pack that never sounds much like any single other band.
This double C40 tape set offers up two projects from Uk based uneasy drone maker & general sonic un-settler Lee Stokoe. On the first tape we have two tracks/sides from his most know prolific & project Culver, and on the second tape he’s joined by George Proctor (Mutant Ape, Murder Book,ect) for two sides of the pairs joint project Inseminoid.
Fairly straight down the line heavy rock album from Shizoey who hail from Austria. This is their first album and it immediately strikes you as a collection of songs by a band trying to work out what direction they want their music to go in.
Biosphere is one of those names you hear about and think they’d be something you’d like but never get around to investigating. This album is a good opportunity to correct that. It’s a live album (Biosphere’s first) recorded at the Arnolfini in Bristol as part of the Touch 25. (25 (back in 2007) referring to the number of years Touch had been in existence). Touch have been keen to keep everything about this release “in house.” The concert was recorded by Chris Watson and the album mastered by BJ Nilsen and as you’d expect the cover is by Jon Wozencroft (though not in my opinion one of his better designs).
“Dream Tracker” is an enjoyable & often trance inducing three way ethno ambient collaboration between well respected ethnic percussionist Byron Metcalf, Didgeridoo player Dashmesh Khalsa and ambient legend Steve Roach.
“Untitled” is a greyed, taut, insect buzzing and stark white florescent tube throbbing drone ‘n’ slow motion electro collaboration between the highly respected percussionist, & electro improviser Jason Kahn and New Zeland based sound artists and bleak electro sound-scaper Richard Francis.
The black and white picture of a decaying birds corpse on the cover of “Néant Gris”(means none grey in English)tells you this is not going to be a pleasant or pleasing experience. On the 3 inch mini cdr enclosed we find a single just under nineteen track of locked, crusty, muffled and death stinking HNW from the Serbian based Dead Body Collection(aka Dr Alex who’s also in the excellent Harsh Noise & HNW two piece C. T. D .)
'Totem 2' is the third album of ritual and world music tinged psychedelic ‘n’ doom rock meets 70’s sound tracking project that is Master Musicians Of Bukkake. The project is a down-played and seemingly revolving membership super-group that features members of Earth, Asda, Burning Witch, The Diminished Men, along with guest slots from Secret Chiefs 3.
Portal of Sorrow is to be the last we’ll hear of Xasthur, as the band’s sole instrumentalist Scott Connor AKA Malefic has decided to call it a day: “The motivation and inspiration used to be there full time and now it's not there at all… It is a role or persona that I have simply outgrown.” And it shows throughout the album where musical ideas are repeated without being extended or explored and the lo-fi production dilutes the dark drama one usually expects from stalwarts of the 21st century international black metal scene.
Natural phenomena are probably the most aptly to used metaphors in music, and history has indeed shown that musicians find clouds and rain and sunshine particularly appealing to translate their shallowest and/or deepest emotions into something digestible and universal. I’m walking on sunshine, you are the sunshine of my life, my thought are scattered and they’re cloudy; musicians both gifted and untalented have long since resorted to the cliché palette of flora, fauna, and weather forecasts. How can we blame them though? As attested, they are metaphors both digestible and universal, capable of capturing a wide range of complex emotions in a single compelling and comprehensible image.
With “Death Kiss” London based HNW project Unearthered (aka Robert Meldrum who’s also in corpse Candle & Ghoul). Offers up two lengthy, intense and horror fed tracks of near unmoving and brutal ‘wall making”.