Loading
'Untitled I - VII' is the second in the Infinity series. This series investigates the more ambient, minimal or experimental sides of the growing Harsh noise wall genre. Each release in the series features identical and minimal black on white artwork, which features a large black monolith on the front and a linked infinity motif on the back.
“Battlefield Recordings” is the 4th full length release from this battle and warfare obsessed Serbian HNW project who makes thick and unbreakable walled noise.
“A Quite Place to Kill” finds this highly prolific and extreme Serbian HNW act in fine and brutally battering form. On offer here is a single seventy six minute track of totally unrelenting and punishing walled noise that sure to pummel and brutalized even the most harden HNW fans.
This is the fourth album by the Russian band Moon Far Away, who formed in 1995. They could be variously described as inhabiting and combining elements of the sub-genres Neo-folk, Darkwave and Gothic Folk, to name but a few.
Sweden's David Wenngren is usually to be found under the name of Library Tapes releasing several albums of classical piano vignettes wrapped in field recordings since 2005, but as Murralin Lane the sound sources are not so obvious except for the haunting vocals of Ylva Wiklund.
Giallo movies and HNW have always made great bedfellows; Giallo movies with there almost uniformed killers in their black gloves, long coats and shadowy hats carrying out brutal and sadistic murders, and HNW with it’s often uniformed and repetitive brutal sound and it’s sleazy, dark and murderous undertones. This four way vinyl split nicely celebrates the union between the brutal movie form and brutal sonic form that is giallo influenced HNW.
“Tour Set” brings together four CDRs worth of intense, thick yet creative walled noise from this Iowa based HNW project. The collection offers up ‘walls’ of varying length and texture, and all in all it makes for a great few hours worth of battering ‘n’ brutally listening.
Stahlwerk 9's "Retromekanik" is a historic study of war in dronoise, one of the more convincing of its kind. Grainy and cheaply distorted but always deep, repetitive and layered with tone and texture. Long samples of military officers discussing the tactics and logistics of specific maneuvers blend naturally into the submarine metal grey of the enveloping thickness of electronic distortion ("Dien Bien Phu"). It's a CD but it sounds like a cassette. Warm, sonorous resonances hidden within the noise make a potentially stark and ugly aesthetic into a pleasant listening experience.
‘In Public’ is the third EP from Nymphomania, one of two solo alter egos for Washington State’s Josh Landry who also records as Glasscutter and as a duo under the name Disco Hospital. And just right for a disco, ‘In Public’ is presented more like a DJ mix than a collection of distinct pieces, with almost every track smoothly segueing into the next like a series of excerpts from longer pieces cross-fading into each other to keep everyone dancing.
3 CDs worth of material here from Fabio Orsi a musician originally from Taranto in Southern Italy but now based, like so many people, in Berlin.
Canadian project Woods of Ypres is one of those bands that have been on the radar since 2002. It’s a band that we’ve all heard about in hushed tones for years; are they as good as the reviews they receive? Are they Black Metal, Doom Metal, Experimental? Luckily we have the proof in our hands (and ears).
This self titled c30 was the first release from Andreas Brandal’s (Flesh coffin, Hour Of the Wolf, Drevne Bolesti, and Museums of Sleep) Avmakt project that brews up a dark and nasty mixture of HNW, junk metal elements and dark noise textures. This tape came out last year on Cole Peters(of Gomeisa & Museums of Sleep) Stasis label.
This is another “untitled” release from the French master of crusty, brutal and unchanging HNW. And this was original released back in April of last year on the canadian Prairie Fire label.
“Sleep Forever” is the second release from French two piece HNW/ brutal ambient project The Sandman Wears a Mask. This new release finds the pair bluring the lines between HNW, Static texturing and noise bound ambience to create an album that’s heady in a brutal yet slightly surreal dream tinged sonic world.
This self titled release is the first solo release from French sonic wall-maker Alois Richter- whose also in the great dream based HNW project The Sandman Wears A Mask. This solo debut offers up four untitled tracks, and over 70 minutes of creative and atmospheric yet brutal wall-making.
“Twin Radiant Flux” is a collection of wonderfully soaring and restful processed solo ambient guitar pieces that where created by Scott Cortez- the instrumentalist behind Tucson, Arizona based ambient/shoegaze project Lovesliescrushing.
“Rautatie” is the 34th full length record from this quirky yet always rewarding Finnish group who specialize in locked rock grooves & multi-genre mixing. This time around the collective boil up and distil: 80’s power rock, AOR and post punk, heroic yet cheesy 70’s rock, punk rock riffing, hypnotic bass bound Krautrock, repetitive classical/jazzy piano textures, and moody /creative sound tracking elements into their distinctive and instantly recognizable sound.
"Hard Trainer" finds the highly prolific and mulit-project linked Richard Ramirez offering up a c30 worth of intense & perverse Harsh noise with wallish dwells and of course gay porn samples.
There are two forces at work here on "Sid Vicious Occult School of Motoring" - music and non-music - and they are constantly at war with each other.
This is the second reprint of Muslimgauze's first foray into the world of compact disc back in 1988- originally it apeared under the Staalplaat label flag.
This self titled CDR offers up just under 26 minutes of churning, sleazed and extreme HNW matter from this mysterious and perverse project that comes from somewhere in northern England.
This band mixes a variety of musical genres into a compelling, satisfying and very well crafted sound. First off, there is a big modern jazz influence here, with the weighty, luscious saxophone up-front a lot of the time, driving, or seconding, a lot of the melodies and rhythms. The drummer knows how to keep the various elliptical elements together, with a hard, often punky beat, on a lot of the tracks; the bassist keeps to a simple, yet effective staccato bullet-time, and the guitarist plucks and coerces his strings in a delightful, resounding way. They are all obviously adept and highly talented musicians, who have studied all of the classic 1970's prog-rock, jazz-fusion and early post-punk/electronica albums very carefully.
I have mixed feelings about this album by SND, inspired by, and developing the Minimal Techno and Microhouse sub-genres championed and made popular by the likes of Richie Hawtin, Robert Hood and Oval.
This two disc compilation is named after music journalist Scott McKeating’s father who passed away in 2007 following a typically sudden and brief struggle with pancreatic cancer. All proceeds from its sale go to the Pancreatic Cancer Research Fund and all artists have donated exclusive tracks to the release that sewed the seed for McKeating’s Bells Hill label. The release largely maps out a loose family of free improv rock artists mainly based in Northern Britain, most of which orbit each other in a collaborative spirit encouraging experiments with noise and drones.