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Zwosch, Zwosch & Zwosch is an improv release that wonderfully swings between the manic and seared, to the more moody and atmospheric. It’s an album/ release that truly keeps the listener firmly on their toes throughout its nearing thirty-three-minute run.
The Borderlands is an early 2010 British-made found footage film that regards a group of Vatican investigators being sent to a countryside church, to find out whether a claimed miracle is real or faked. The film is creepy and eerie, at points downright horrific- with a well-conceived story/ concept, and a believable cast, who manage to balance drama & subtle humour well. All making this not only the best example of British found footage, but one of the greats of the genre. Here from Second Sight is a most welcome new release of the film.
Here’s a recent(ish) C30/ digital release from Rien- the highly minimalistic textured/ walled noise project of Sweden’s Johan Strömvall Hammarstedt (Gamiani, J S H, J.S.H., Marsh Croft Coven, The Man Who Drove The Hearse, Ominous Recordings). It takes in two side-long tracks of ultra-minimal noise making.
Thoughts is a recent four-track release from the rather mysterious Worship project, which started out as a straight-walled noise venture- but recently has pushed more drone/ experimental elements. And that’s where this release sits, between wall & drone.
Directed by Kurando Mitsutake (Maniac Driver, Karate Kill and Samurai Avenger: The Blind Wolf) Lion-Girl is a 2023 sci-fi/superhero/ action movie based on characters created by manga legend Go Nagai, of Devilman and Mazinger Z fame. The film, which was largely shot in LA and partly funded by iconic Japanese studio Tohei stars Tori Griffith (Wake Up, Glass Darkly and the upcoming Bau, Artist at War) in the title role, Derek Mears (Swamp Thing, Alita: Battle Angel and the Friday the 13th remake) as Kaisei Kishi, David Sakurai (Fantastic Beasts, Man in the High Castle and Avatar: The Last Airbender TV series) and Damian Toofeek Raven (Chadwick Journals, Dexter and Zane’s Sex Chronicles)
Celestial Shrine is this Ukrainian band's debut album appearing on Debemur Morti Productions. It's a release that blends Black Metal, Melodic Death Metal and Progressive Metal with traditional Folk singing and instrumentation
First off, some context: the second Iron Monkey album, Our Problem, is a sacred text for me; that album, and the 10” that followed, We’ve Learned Nothing, are both nigh perfect, and no other sludge metal gets close for me (with the exception of Eyehategod’s first album, and Noothgrush, who I’ve decided to move to the doom section of my brain). Iron Monkey were ferocious on record, and I was lucky enough to see them live before the sad passing of Johny Morrow, their singer. For better or worse, when the band reformed, with a mix of original members and new blood, to make the 9-13 album in 2017, I heard a few tracks and, undoubtedly swayed by my reverence for the Morrow years, quickly decided it didn’t match the legend in my head. Fast forward to 2024 and we have Spleen & Goad, and I’m pleased to say that whilst it doesn’t ascend the heights of Our Problem (and what does?), it’s a very solid album.
From the late 1980s, Spider Labyrinth is a supernatural Giallo in the style/ at times form of Dario Argento’s Suspiria. It’s a slowly unfolding film- which builds in both disquiet & creepy oddness- all moving towards a rather surreally deranged effects-led resolve. Here from Severin is the first-ever digital release of this less-seen Italian film- with the two-disc UHD & Blu-Ray set offering up a brand spanking new 4 K scan, and truly hours of extras.
Elegy- The Recordings 1968-1971 is a six-CD boxset bringing together four studio albums, and two live albums from English progressive rock band Colosseum. The band's sound initially leaned more towards the jazz & blues side of the genre- though as they went on they brought in more rock edges, be they prog, psych, or theatrical bound.
Combining many styles together to form an interesting style of her own, DJ Marcelle's A Different Fridge for Cheese brings forth an avant-garde approach to beat-driven electronic music. Her experimentation gives each track its own flavour and keeps her from being one-note or repetitive. Samples, noise, loops, and rhythmic percussion all work in conjunction to fill in any holes in this Cheese
Mad Dog Killer is a gritty/ at points fairly nasty Poliziottesco/ Italian crime thriller from the late 1970’s. It regards the escape from prison of sadistic killer Nanni Vitali played by Helmut Berger (The Dammed, The Godfather Part III), who with his goons carry out revenge on those who put him away. The film landed up on the video nasty list in the 1980’s, and as far as I can gather this Cheezy Movies DVD release features a fully uncut version of the film.
Tai Kato (I, The Executioner and Beast in the Shadows) directs this thrilling 1966 crime drama set against the backdrop of post-war Japan. A small rural community is terrorised by gangs of immigrant Koreans, who hassle and destroy the peaceful lives of anyone they can extort cash from. Dr Amamiya (Noboru Ando) watches from the sidelines, his rage bubbling over but prevented from interfering due to his self-imposed vow of pacifism. But how long can he hold back the anger and the lust for revenge?
Sting Of Death is glum, at points arty, at points pitch black comedy touched drama regarding a husband who has cheated on his wife he’s had two young children with. The 1990’s Japanese film is set in the 1950 shortly after the war has finished. It’s an extremely well-shot film- with fairly sparse dialogue, and a largely lulling pace. We get some wonderful imagery, touches of grim pathos, and moments of wondering what’s real & what’s not. Here we have a recent Blu-Ray release of the film from Radiance Films- with a new scan of the film, a few extras, and an inlay booklet.
From the late 1960’s That Cold Day In The Park, is a slow-burn drama-thriller with light psycho-thriller undertones. It regards a repressed, prim & proper thirtysomething upper-class woman who asks a late teen man into her apartment- after observing him sitting in the cold pouring rain. With the seemingly deaf ‘n’ dumb stranger becoming her obsession. The film features two well-picked leads, a slowly unfolding feeling of mental disquiet, and a rewardingly bleak character study. Here from Arrow Video is a new double disc Blu-Ray release of this film- taking in two different cuts of the picture, a commentary track, and a few other archive & new extras.
Those familiar with FourColor's (aka Keiichi Sugimoto) work will be reminded of the richness of his unique mode of guitar processing on Lightscape, though a few surprises await, too. For one, the guitar as source material assumes more of a supporting role here, washed into streams of effects and white noise, in which it finally disappears altogether (more on that below).
Released two years after the first film, Ghoulies II shifts the rubbery and demotic mini monsters to a travelling fairground setting- for a very 80’s blend of comedy & horror- with touches of heart & cheesiness added into the mix. From MVD's Rewind series here is a Blu-Ray release of the film taking in a new HD scan, and a good selection of archive extras.
Fleeting Moments Of Grace features two around twenty-five minutes of bounding, baying, and brain-rattling walled noise from this Scottish project. Going from both memory/ the projects Bandcamp this is the first new work from this project in three or four years.
Downtown Heat is a rather dialogue-heavy, at points unintentionally amusing action thriller from the mid-1990s. The most notable thing about it is that it was directed by prolific, mostly genre-bound, and often sleazy Euro director Jess Franco. And boy it’s very un-Franco-like, with aside a few touches & cast members you wouldn’t know it had anything to with Uncle Jess. Here from Full Moon Features is a region-free release of the film.
David Jackson is a prolific English saxophonist, flautist and composer, famous for being a member of Van Der Graaf Generator, he has also worked with dozens of other artists including Peter Gabriel, Keith Tippett, Osanna Peter Hammill, and David Cross to name a few. This album is a collaboration with long-time friend and collaborator, visual sound artist René Van Commenée from the Netherlands who specialises in creating music and visuals for art installations, theatre productions and film and TV. The pair have been friends for a very long time, with René creating album covers and occasionally filling In on drums for Jackson from time to time. This album is the pair’s second collaboration after the live album, Batteries Included which was recorded in 1992/93 and eventually released in 2003.
In The Gloaming is an electroacoustic improv album that shifts from the abstractly moody- yet taut, onto the warblingly noisy, though to the hissing-to-brood bound. The six-track album appears on London’s Not Applicable- as either a CD or download- I’m reviewing the former.
Pale Guilt is just over an hour’s worth of raw ‘n’ rumbling walled noise from this Moscow-based project. The single-track work is extremely heady with murky subterranean intent and often feels like it could be a recording of the slow awakening of some vast underground monster- as it stretches and snorts out clumps of earth.
Here we have a two-film box set bringing together two very tonally different 1970’s Yakuza thrillers/ action films featuring Shinichi “Sonny” Chiba. The first Yakuza Wolf is a decidedly dark ‘n’ sleazy affair with serious spaghetti western undertones. While the second is more of a typically 70’s action thriller, with some light-hearted/ comedic undertones. Here from Eureka Entertainment is the first-ever UK release of these. Each film gets a classy ‘n’ crisp HD scan, commentary tracks, and a video essay.
Strange Invaders is an early 1980’s tribute/ take on the 1950s when aliens invade small-town America fare- but with a few neat twists, turns, and of course better (if-sparse) effects too. Here from Australia’s Imprint is a recent Blu-Ray release of the film- taking in an HD scan of the picture, and a few new/ archive extras.
Female artists have been central to the evolution of drone and minimalist music from Pauline Oliveros and her pioneering of deep listening, Eliane Radigue, Laurie Spiegel through to current practitioners such as Suzanne Ciani, Sarah Davachi and Kali Malone. It is from this stable of great female artists that Spanish composer Carme López has sprung - bringing to the table her own unique brand of music centered on the Galician bagpipe; fitting given that she is also a researcher of the traditional oral music of Galicia. But López takes her musical adventures to a different level, expanding elements of sound to create ambient and experimental soundscapes while pushing the limit of her chosen instrument and extracting a deep and rich sonic experience all within a minimalist avant-garde framework. It is exactly this aesthetic that we find on her debut album Quintela.