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“Notre- Dame De Bonne Mort” offers up three twenty five minute plus tracks of thick, grim, oppressive yet hypnotic Wall-making from this mysterious skull, crypt and graveyard obsessed project from western France.
“Que Crève Le Vieux” (roughly translated “"the old world must go to hell"”) is a HNW tribute to 18th century French anarchists and writer Albert Libertad who founded one of the worlds most important anarchist journals L’Anarchie.
R.S.P is rough ‘n’ nasty power electronics meets brutal ‘n’ sludgy noise drone project of Louisiana based Joseph Gates(Slaughter-Fetus, Vargrwulf and Peiste). Reptilian Sexual Predator is the projects second release after a C47 tape which also appeared on Violent Revolution International (as does most of Mr Gates releases).
It seems as though since the band DEVO has become popular again in today's post-ironic age (or whatever this age is supposed to be) there's been lots of bands dressed-up in bizarre costumes, such as the PeelanderZ and (I'm assuming) this new band from Austria called simply "Ni". In this case, this band prefer Led Zeppelin-style spacesuits. And yet this music is heavy, but more in a discordant King Crimson style...
This four disc release finds this highly prolific Serbian based HNW project taking the work of eight other HNW acts (Griz+zlor,Självhat,Smrznik, Å, Oblive,Svartvit and Werewolf Jerusalem.) And feeds it through his peddles to create depraved and mainly more brutal takes on the original tracks.
I don't know what musical style Comparative Anatomy are calling themselves. I read the phrase "experimental drum and bass" somewhere, and there's definitely some kind of pervasive wannabe grindcore thing going on here, but really this album "Mammalia" is first and foremast a lazy collection of shallow and unlistenable novelty gags. Basically, they play simplistic fist-in-the-air groove metal patterns with a distorted bass (which sounds okay but very bland - and exactly the same in every song!), add in some ham fisted distorted kick drum and snare sounds and repetitious stock recordings of animals and call it done.
“Isolation der Essenz” is the newest release from this slightly off kilter yet grimy atmospheric ambient black metal meets dark synth scaping project from Rivne Ukraine. The project is a one man band, and it has been active since 2004 so far amassed just over 60 releases.
This two tape split brings together a c60 and a C30 tape from two fierce and unrelenting HNW acts from either sides of the globe. On tape one we have Croatian based one man project Placenta Lyposuction, and on tape two we have mysterious Californian four piece XSXCXEXBX.
This c30 split brings together two side long tracks from two openly gay ‘n’ proud noise acts(just check out the cover pic of the muscular man). On side one we have Irish extreme electrionca/ Harsh noise/ HNW project Where Is This(aka Mark Ward who also runs the Bored Bear label). And on the second side we have a side long track from Richard Ramirez's static textured HNW project Werewolf Jerusalem.
"La volupté de la destruction est une volupté créatrice"(rough translation The pleasure of the destruction is a creative pleasure) finds this unrelenting French HNW project offering up a single five minute track of crusty static locked judder.
Maintained and directed by core members Lasse Marhaug and John Hegre, longrunning harsh noise and avant jam rock supergroup Jazkamer has surged into 2010 with a slew of releases, including this full length, "We Want Epic Drama", which sounds something like a violent hurricane caught on tape. This album features a line up of a whopping six members (noise makers), making for a frenzy that is curiously constant and unstructured. One gets the sense that all the musicians, whether they are laying into a drumset as fast and heavy as humanly possibly or creating chaotic, metallic feedback textures with a guitar, are reaching for the same heavenly roar, but there is no distinguishable pattern or rhythm to the sounds. The mammoth sonic presence they have achieved is formidable to say the least, but I don't know if 'epic drama' is the best term for it - I would not attempt to describe this recording in terms of the emotionality or sentimentality often found inconventional music.
2010 has brought us Allerseelens latest release Rauhe Schale. The creation of Gerhard Halstatt; here he is joined with musicians Dimo Dimov and Marcel P. (also members of Miel Noir), Annabel Lee (Blood Axis) and Meri Tadic (from Eluveitie). Allerseelen has been playing their innovative brand of music for 20 + years now. What they create is a unique mix of what can be described as Folk Industrial. That may sound a bit contrived but in Allerseelens’ hands its hardy the case.
MW presents two 13 minute drones, one per side of the cassette, the format playing a strong part in adding a light crumbling texture and hiss to the minimal, monotonal proceedings.
I know nobody likes reading what the jerkbag reviewer thinks of an album BEFORE he listens to it. "I thought this was going to sound like _______ but boy was I wrong!" Well, I think I have an excuse this time to write about my "judging a book by it's cover" moment because I was exactly right. For some reason, I had a feeling this was going to be a beautifully recorded, avant-garde, free-jazz, freak-folk jam that would end up really impressing me. It was only 20 seconds into the first track that I was giving myself a pat on the back.
“The Unutterable” original appeared in 2000 and it showed the Fall with a lot more denser synth and electroinca laced sound, it’s also one of the more consistent and replayble Fall albums from the 90’s & 00’s. This 2008 reissue features the original album along with a second disc of an alternative mixed version of the album that has a more sparse & ragged feel to it, which gives a nice contrast to the orginals meaty sounding release.
“Renonce” is the first major indie label release from brutal and unrelenting French HNW act Vomir, and thankful there’s no sell-out or harmonic respite here. The fifty minute track on offer here is classic and pure sonic nihilism of the highest order- it’s the audio equivalent of head-butting a wall of pure hopelessness, dispair and darkness, over and over again.
This is a one-man-band avant-metal project featuring Davide Tiso from the group Ephel Duath. The liner notes mention his interest in Black Metal but in the photos he's not in corpse paint. Eraldo Bernocchi from Italian esoteric outfit Sigillum S is in the producer's chair as well. The music is largely instrumental, but unlike many bands of this sort it's a bit more captivating.
For the record, I've never been much for bands named after cars. Of course one time in my life I did drive a Pontiac, certainly not one of my favorite kind of vehicles. I wouldn't mind a band called Studebaker though... (Now THAT car had some class!)
By the name alone, I was expecting some thuggish white-rap band like Insane Clown Posse. Mugstar are actually one of those bands on the more experimental and instrumental side of alternative rock.
Esoteric are fairly new on the block. A subdivision of Cherry Red they’ve concentrated on reissuing some long lost classics of the 70s and early 80s. They’ve put back into print some great albums, mid period Hawkwind, The Deviants, Daevid Allen, Mick Farren, all great, long out of print wonderful albums that deserved to be reissued to enthral and excite another generation. So I came to this album hoping to find something new from that era that would excite me as much as some of those other releases have.
It’s been a while since anyone was lucky enough to go on a Cyclobe cruise, affording the deep listener a journey along transcendental tramways that stretch from the dark corners of the psyche to the wide, open reaches of astral bodies. The last opportunity was in April 2007 when they opened the Donau Festival with their first ever live performance (despite recording since 1998) - their only sighting since the release of their truly terrifying third album, Paraparaparallelogrammatica, at the end of 2004. So there has been a perceivable gap, a dry period, in which those who developed a taste for their brand of delirious, electro-acoustic theatre have been left wanting, bereft of their potent intensities, in need of a very real lift from corporeality.
Muslimgauze was the musical project of Bryn Jones, who unfortunately passed away in 1999. Uzi Mahmood is the 2010 re-release from SolielMoon records. Originally it was released as a 4 song 12” EP back in 1998. An interesting fact behind this is while only 4 songs were contained on the EP; in reality Jones had recorded a whole cd worth of material. Now in 2010 we find the cd released in its entirety.
The gruesomely entitled “Choking on Your Own Blood and Spit” finds Four Flies, which is another project of the hugely prolific and muilt-project linked Richard Ramirez- the project started off as a four piece but is now thinned down to a two piece and features Ramirez & Robert Newsome (White Gimp Mask). The tape offers up two 15 minute slices of intense and bombarding walled matter with a bloody & sadistic Giallo theme running through them.
Regarding Us Sadly is a new, tense and detailed static texturing/ static based HNW project that brings together J Cadle (from Foul, ...Massacre & Oasis Of Fear) and the perverse mind behind Static texturing based project I Am Slut. This self titled c20 is the first release from this project.