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The Count Yorga Collection brings together two early 1970’s Vampire movies from the US drive-in circuit. The release comes in either Blu-ray or DVD format, and features a selection of interesting extras, which really enhance & inform ones viewing pleasure.
Grosshouse is a ultra-low budget exercise in bad-taste/ trashy cinema- it blends together elements of early John Walters, Troma movies, weird fish 'n' peanut butter obsessed humour, and quirkily perverse energy. Here we have a pro DVDR double disc set, that brings together Grosshouse, with a whole full length bonus film from the same sick minds behind Grosshouse.
Here’s a tape from the consistently interesting Geräuschmanufaktur label, and one that flew under my radar. The cassette has two tracks of expansive noise, with both being around ten minutes in length; and it comes wrapped in a sombre, black and white inlay, with two cryptic, and iconic, images: the ruined torso of a sculpture, and a hole of some description.
Here’s a recent CDR release from this Pig product themed project from Florida, & it offers up searing yet shifting slice of noise intensity. The hour long piece on offer here blends together elements of HNW, dense harsh noise & junk metal abuse to create an enjoyable assault on ones sonic senses.
Here’s a very nicely presented HNW split bringing together two respected names from the French wall noise scene. The release comes in the form of a C62, with the same two tracks( one apiece) on each side of tape, so in reality you only get just over thirty minutes of noise.
Obsession is a c28/ digital release from this new Swedish HNW project- featured here are two slices of feministic wall craft, based around women’s legs/ tights. This tape is seemingly the first cassette release from this project, which has also put out a handful of digital only releases.
Here we have four C40 wall noise cassette box set on Danish noise label Moral Defeat. It features eight tracks from eight different wall noise acts, and like most compilations it’s a decidedly mixed affair, with great-ness sitting along side less satisfying/ run-of–mill HNW.
3Leaves presents Ancient Pulsations by Dutch Poet Ralph Koper. Anyone familiar with the 3Leaves imprint, knows they are one of the premiere outlets for global field recordings. On Ancient Pulsations, we are treated to a nearly hour long CD culled from the sounds of Varanasi (a city in northern India near the banks of the river Ganges).
Dumbsaint are an Australian instrumental post metal band who play intricate, powerful and emotional songs that move through a wide variety of moods and ideas. "Panorama, in ten pieces" is their 3rd album, their debut having been released in 2012.
Formed in 2014 by Stevo (Impetigo), Ash Thomas (Vladimirs), and Billy Nocera (Razorback Records), Surgikill sought to capture the vibe of fast, heavy, 90's death but with their own spin. Two years later, their debut, Sanguinary Revelations, sees it's vinyl release on Hell's Headbangers. Housing 10 songs of vile, pounding death metal fury, Surgikill's release will sate your old school lust while making you pump your fist for the future.
Composer James Saunders' piece, titled "Assigned #15", is performed here by the ensemble Apartment House, of which Saunders is also a member. Presented as classical music, the swampy, uneasy soundscape on this disk is as brooding, haunted and unsettling as any ominous 80's industrial recording.
Play Struvé & Sneff was the first embryonic & strange sonic fruits of Renaldo and the Loaf- the British avant- grade two piece from Portsmouth. It originally appeared in 1979 on the projects own label as a cassette , and saw the pair mixing up a highly dada & plainly odd blend of: mangled & wonky instrumentation, tape loops, wavering sing-song vocals, and general sonic strange-ness. This is a double CD reissue of the album- featuring the original release, plus a second disc taking in a live recording from 1980, and a selection of morphed remixes.
Here we have the 3rd(and at present) final release in this series of Feldman releases on German classical music label MDG Scene. Each volume in this series sees highly respected German pianist Steffen Schleiermacher tattling later piano works of Mr Feldman. And for this release we get two relatively short( by Feldman standards) tracks in the form of Piano from 1977, and Palais de Mari from 1986.
This CD, like every other Line CD I’ve seen, comes inserted into a stylish, sombrely designed card wallet. It has six tracks and a somewhat stellar line-up of guests. Each track, bar one, contains significant material from one of these guests; this means contributions from: William Basinski, AGF, Cosey Fanni Tutti, Kid Congo Powers, and Evelina Domnitch. These contributions all take the form of vocals - though Basinski is credited with ‘voicemail’ - with some guests adding other elements too.
Terrorizing the Power Electronics scene for just over a decade, Milwaukee's Climax Denial has seen releases across numerous labels. Finding a home on Malignant Records, his second full length CD, 2015's Dehumanizing Environments, shows more restraint than previous releases. This seems to be an interesting trend in extreme electronics, with artists reining it in a bit and making it super dense and supremely claustrophobic. Whether or not this is an actual thing or just my imagination, I'm definitely digging this fun, frightening direction.
Since completing his "life's work" the vertiginous Babel project -released as a 5CD set in 1999 - Roger Doyle has not rested on his laurels. The themes and techniques explored during those years composing Babel have since been further refined into a number of different but interconnected projects. The three volume Passades series explored duration, utilising the creative possibilities of software to sculpt music as a series of near freeze frames, moving backwards and forwards over small pieces of instrumental or vocal sound. Two narrative works, building upon the theatrical legacy of his earlier group Operating Theatre, which the composer calls "cinema for the ear" were produced in the form of Adolf Gébler, Clarinettist and the chilling The Room in the Tower. And in recent years memory and time have become increasing central to Doyle's work as reflected in the imaginary world music of The Thousand Year Old Boy and most clearly in the series of pieces composed around old telephone answering machine messages grouped together on the Time Machines record. With the premier of his first opera Heresy: The Death By Fire of Giordano Bruno due in November this year the release of Frail Things in Eternal Places appears as something of a companion piece bringing together all the key elements of the previous fifteen or so years and linking back to aspects of Babel.
Chöd is latest audio ritual from Phurpa- the Russian collective who creating dark unearthly, trance inducing, and at times terrifying sonic fare with a mix of throat singing & traditional/ non-traditional Tibetan ritual instruments. This new work is their most epic yet, with the two part piece spread over two CDS, and coming in at around the 90 minutes mark.
Agaric Fly in the new doom drone project from New York based experimental artists /maker-noise Robert Meldrum. Over the years I’ve enjoy many of Robert’s releases over his few project, in particular his grim walled noise project Unearthered, or his horror-fed harsh noise meets wall-noise project Corpse Candle. So when I saw this was out, and Robert was trying something a little different I was very keen to hear it
Folk Horror Revival: Field Studies is a huge (nearing 500 pages), often fascinating & varied collection of non-fiction writings based around Folk horror, and related subjects
Column One's "Cindy, Loraine & Hank" is a sprawling double album of patient, vintage feeling musique concrete and freeform noise texturing, with a sound palette ranging from the dusty heated circuits of analog synthesizers to field recordings of clattering, shuffling and fragments of speech.
Vilgoæ is a Polish wall noise project who has sporadically(by scene standards), putting out releases since 2007. This CD on Germans L-White, offers up a single slice of dense & brutalizing wall-craft.
Here’s another 2016 release from Shurayuki-hime, which is seemingly now the main sonic focus of Newcastle Upon Tyne HNW artists Liam M( of D.S.W.A.C.V, Tarot, and runner of Tera-AntiQu label). This release comes in the form of a C30, which takes in a ‘wall’ per side of tape.
Monolithic Interference is a recent HNW four way split. It brings together two C30 tapes, and features a 'wall' per side of tape. The release features three seasoned & respected wall noise acts, and one more recent addition to the scene.
German ambient project, Vortex, is back with its fourth release, and third on Cyclic Law. Moloch is a sonic tale of a city (NYC, to be specific) absorbing a bystander with its size, power, and inhabitants. Working with Carsten Bergemann, Mars & The Trail, Christopher Wirth, and Patrick Kilian, Marcus Stiglegger composed a menacing soundtrack that captures the power of a staggering metropolis.