
Here’s a follow-up to Severin’s 2022 box set House Of Psychotic Women Rarities Collection. It’s once again curated by Kier-La Janisse, who penned the 2012 book House of Psychotic Women, which looked at female neurosis in horror and exploitation films. This recent Blu-ray collection brings together four more films from around the world, focusing on unhinged/unbalanced women. The set also takes in ten plus hours of extras- taking in new commentaries, introductions, interviews, short films & more.

Ninja Terminator is a cheapo Ninja action movie from 1986 directed by Godfrey Ho (The Ninja Squad, Ninja Destroyer and Thunder Ninja Kids: The Hunt for the Devil Boxer) and starring Richard Harrison (Ninja Dragon, Secret Agent Fireball and Terror Force Commando), Jeong-Lee Hwang (Drunken Master, Game of Death II and Snake in the Eagles Shadow), Jack Lam (The Leopard Fist Ninja, The Spring and Chains of Gold), and Maria Francesca (Operation Las Vegas, Diamond Ninja Force and Day of Violence).

Brian House has put together something of an album, the contents of which really pass over anything resembling the possibility of a critical appraisal (more on this in a sec). The concept of Infrasound –– the auditory information that exists below the threshold of human perception – is a topic closely wed to larger concerns of situatedenss, environmental awareness, and the like. So when Brian House, a professor of such things, set out to construct microphones capable of capturing such phenomena, the die was essentially cast. In other words, House, fully cognizant of this fact, had no real control over what it is said microphones would relay. In order to render these findings perceptible, House used an old chestnut of tape recording: speed things up, which will de facto pitch things up to a frequency range that our little lugs can hold onto.

Human emotion is often difficult to convey through words, so art becomes the perfect channel for those needing to express themselves on a deeper, more intuitive level than glossology alone. War has unfortunately been driving humans to the brink of their emotions since prehistory, but thankfully art has been there even longer to serve as an outlet for those needing to get their fears and frustrations out into the world. French artist Lambwool created Ashes as a necessary response to Russia's invasion of Ukraine and its profound (and warranted) effect on his mental state, the emotions stirring from current times, as well as the post-war trauma burned deeply into European psyches. This work of dark ambient conveys the cold, brutal essence of this war, but by not getting too mired in the darkness, it presents a hopeful air that can help us all get through dark, terrifying times.

From the early 2020s, Shakespeare's Shitstorm sees Lloyd Kaufman and the Troma team doing their own distinctively crude, wacky, and deranged take on the Bard's play The Tempest. It finds mad doctor Prospero (Kaufman) shipwrecking, via a storm of defecating whales, a boatload of pharmaceutical executives to Tromaville, New Jersey, to carry out his revenge. If you know Troma, this is pretty much business as usual, with self-referential/perverse humour, large-breasted ladies, generally wacky manic-ness, silly musical numbers, and splatter-bound gore. Here from Troma Films is a three-disc release of the film, taking in a UHD, and two Blu-rays, with a good selection of extras

Evil Laugh is a mid-80s slasher with some light touches of humour and ahead-of-its-time postmodern elements. It features a cackling killer, some fairly bloody kills, the most inventive being microwave-based. Sure, it’s not a top-level example of the genre/ plays to the cliches- but it’s engaging enough, and will appeal to fans of the stalk ‘n’ slash form. Here from 88 Films- as part of their Slasher Classic series- is a Blu-ray release of the film, taking in an HD scan, commentary track from the slasher-loving podcast The Hysteria Continues, and a full-length archive documentary.

The Gospel According To Hana Haruna is a three-track release, which blurs the lines between spiteful ‘n’ searing wall of noise and more drifting/choral ambience. It’s a release that once again sees this Portland project pushing at the edges of the wall noise genre, for something rather distinctive.

Cranial Collapse is a decidedly swirling, yet crude/ nasty take on the walled noise form. The dead-on, twenty-minute track adds in a sparse/ buried spoken word element to create an extra layer of unease to the proceedings.

Music Of The Future is a more formal, dense/ not so multi-layered/ less ambient take on the wall noise form from this US project, which normally focuses on the more playful/experimental side of the genre.

Cutter's Club is a lost film featuring horror legend Tony Todd as a schizophrenic university medical lecturer. In his spare time, he is part of a secret club, where they are (meant to be) pushing the limits of surgery. The film is a Full Moon/ Charles Band film, with one or two neat effects/ moments, and a great OTT performance from Mr Todd. Here’s the Blu-ray release of the film, with just a few extras.

A band’s disappearance in spring 2024 is the springboard for Director’s Cut, a slasher from writer-director Don Capria.

Ms.45 is an early 80's rape/revenge thriller set on the gritty streets of New York City. The film speeds by like a bullet- with the mute ‘n’ timid victim shifting from being traumatised & shellshocked, to a red lipstick wearing/ gun tooting killer. It drops down in horror, manipulative drama, and all-out gonzo exploitation. Here from Arrow Video, both in the UK and stateside, here’s either a UHD or Blu-ray release of the film, taking in a commentary track, and a good selection of extras

Rejection Sensitive is the second physical album released from Illinois-based noise maker Marc Benner, who also runs the noise/ experimental sound label Oxidation. It’s a four-track CDR, which focuses on textured noise manipulation.

Here’s a C50 split bringing together two side-long wall noise tracks. First, there’s the searing rush, battering billow, to later thick battering walled noise of Puerto Rican's Barrena. And second, we have a dense/overwhelming- yet oddly entrancing slab of walling from Garden Grove, California’s See Through Buildings.

Destry Allyn Spielberg makes her feature directorial debut with 2024's Please Don't Feed the Children, written by Paul Bertino, starring Michelle Dockery (Downton Abbey), Zoe Colletti (Scary Stories to Tell in the Dark), and Giancarlo Esposito (Breaking Bad). Spielberg previously won Best Thriller at the City of Angels Women's Film Festival in 2022 for her short film Let Me Go the Right Way, so I had some expectations going in.

Composed for Illustrious Labs' 3D audioscape system, Mesmerine 111 focuses on the physiological properties of 111hz on the human brain. Under the moniker Illustrious, Martyn Ware (founding member of The Human League, B.E.F., Heaven 17, et al) and Charles Stooke release two 50-minute 'doses' of Mesemerine 111, the original ambient, trance-inducing treatment and the vocal mix, with its hypnotic spoken word description of the Mesmerine treatment. Whether holistic medicine, ancient ritualism, or new age quasi-science, Mesmerine 111 is an intriguing premise that would definitely benefit more from the fully immersive, 3D audioscape experience.

The collaboration between Anton Lambert and Thanos Polymeneas Liontiris, captured on their album, tri-n-os, is astonishing. There is little I can say to describe the intricate, mesmerising, and haunted work that is this release.

First released in 2012, as a digital release, then as a limited CD release, GOD O: Music For A Gallery Opening. It finds Charles Bobuck, aka Residents Co-founder and the primary composer, Hardy Fox, scoring the gallery experience of the exhibition of The Residents/Ralph Records. Here from Klanggalerie is an expanded double CD reissue of the release. With a sound here moving between blends of musical pomp and weedy vocalisations, world music beats and wailing guitars, ambience and beyond, making for a varied and entertaining ride

Les Cents Jours Clairs is the next in the series of Etant Donnes CD reissues from the folks over at Klanggalerie. It was the French project's fifth release( well, half of it), appearing in the year 1984, taking nine tracks which move between pummelling/ manic electro/machine noise tracks, and slowly ‘n’ wavering grey tone ambience to billowing yet barren feedback dwells.

Swedish electronic project Sluta Leta started in the late 90s and has gone through a series of lineup changes, resulting in all of the founding members being replaced. The current lineup of producers Andi Pieper and Ramon Bauer, with vocalist Gerhard Potuznik, has been consistent since their debut full-length in 2003. After a long hiatus, they've returned in the 2020s. Their 2nd album this decade, Drift Decoder, is a collection of charmingly analogue, acid-inflected electro, funky breaks, and synth pop, a short forty-one-minute album of two-to-five-minute songs.

Here’s another in a long line of superlative Kleistwahr releases from Fourth Dimension Records, this one collects up two previous albums by the Gary Mundy vehicle; if memory serves Winter was part of the amazing looking - but expensive - tape boxset put out by Helen Scarsdale Agency some years back, whilst Music for Zeitgeist Fighters was released on Nashazphone, on vinyl, in 2017. The two CDs come in a card wallet, with the album artworks on display, and the usual neat presentation that Fourth Dimension delivers. The CDs present each album respectively, and add some additional tracks, bringing each CD to over 70 minutes of music.

Over their fifty-plus-year career, The Residents- those infamous yet unknown avant-popsters have always created their own distinctive/ weird takes on others' material. Going from their noise up ‘n’ churning take on the Rolling Stones' Satisfaction, though to their melted Dada take on 60’s pop that was The Third ‘n’ Reich and Roll album.

Mondo Keyhole is a monochrome roughie from the mid-60s regarding an LA-based serial rapist and his heroin-addicted wife. It weaves together noir atmospherics, uneasy/ troubling sleaze, moments of all-out derangement, and porn business parody/send-up. Here, as part of VCI Entertainment’s Psychotronica Collection, is a dual DVD and Blu-ray release of the film, featuring new and archival commentary tracks.

Video Psycho is a SOV serial killer movie from the early 1999’s. It features a fairly decent/ believable young cast, some rewarding moments of both tension & unease, with an effective score that blends psycho ambience with post-industrial disquiet. Here from SRS Cinema- the main/ key labels releasing SOV films, is a recent Blu Ray release of the film, taking in a director's commentary & a few other things.