One of the more creative and distinctive sound-art/ manipulated field records to appear in recent times was this year’s Works For Listening 1-10. Released by the always worthy Sofa Music, the album sits somewhere between atmospherically manipulated field recordings and electro-acoustic texturing- be it alien, ambient or slightly manic. And most surprising of all, it was the debut album of young Norwegian composer and sound artists Tine Surel Lange. I tracked down Tine for an email interview, discussing her wonderful debut, her love of sound, and much more